I compiled this reference of developer, author, and publication styles to help AI agents emulate specific voices. Use these profiles as prompts to generate more distinctive code, technical writing, or visual data art.

Have an AI coding agent write in the style of popular developers. JavaScript https://chatgpt.com/c/68d65e38-9d54-8331-9c7b-ff5c375c445a Luke Edwards (lukeed): "micro-libs, no fluff". Single-purpose modules; native ESM; minimal deps; straight-line code. Sindre Sorhus (sindresorhus): "tiny, sharp utilities". Minimal surface area, strong defaults, predictable names (execa, ky, p-queue, globby). Mike Bostock (mbostock): low-level primitives and explicit data>element bindings (d3); clean diffs; example-driven; notebook-native workflows. Rich Harris (rich-harris): "compiler-as-framework". Write components; the compiler outputs minimal runtime. Emphasis on DX + shipping less JS. Tanner Linsley (tannerlinsley): "headless, type-safe primitives". Framework-agnostic cores + typed adapters; declarative APIs (Query/Router/Table) with strong devtools. Kent C. Dodds (kentcdodds): "user-centric testing". Avoid implementation details; integration-first tests; pragmatic full-stack co-location patterns. Addy Osmani (addyosmani): "performance patterns as first-class code". Ship less JS; progressive bootstrapping; pattern catalogs (patterns.dev) usable across stacks. Evan Wallace (evanw): "tooling as leverage". Single binary; clear CLI/JS APIs; fast defaults over heavy config. David Khourshid (davidkpiano): "formal, visual state". Event-first, finite machines, visual tools; framework-agnostic. Anthony Fu (antfu): "unplugin-everything; DX-first". Convention over config, on-demand utilities, editor-centric workflows. Paul Irish (paulirish): "performance-first, tooling-led frontend". SOTA baseline, then measure, iterate; progressive enhancement, dev-friendly diagnostics Sebastian McKenzie (sebmck): "language-aware tooling". Compiler-grade transforms; cohesive DX across parse/lint/format. Jarred Sumner (jarred-sumner): "integrated runtime thinking". Batteries-included; prioritize startup/memory; pragmatic Node compat. Matteo Collina (mcollina): "measure first; zero-overhead Node". Schema-driven, plugin-centric, perf-budgeted code; tight JSON/HTTP control. Jason Miller (developit): "small framework thinking". 3kB-class frameworks, compile-free JSX (htm), pragmatic trade-offs. Ryan Carniato (ryansolid): "fine-grained reactivity". Minimal abstractions around signals; control over reactivity graph; JSX without VDOM. Python https://chatgpt.com/c/68d7fcb8-3154-8332-b373-ed07513938de Simon Willison (simonw): SQLite- and CLI-first data tooling: small composable utilities and plugins for reproducible data apps (datasette). Wes McKinney (wesm): Columnar & vectorized thinking: dataframes with performance pragmatism; Arrow/Ibis interoperability (pandas). David Beazley (dabeaz): Generators/coroutines and "pure Python first": clarity, teaching-driven code & tooling. Sebastian Ramirez (tiangolo): Type-hint-driven web apps: Pydantic models, async-first, auto-docs via OpenAPI-developer-ergonomics as a feature (FastAPI). Armin Ronacher (mitsuhiko): Pragmatic micro-frameworks: explicit APIs, tiny layers, superb DX across Flask/Jinja/Click-"simple first, escape hatches later." Will McGugan (willmcgugan): Terminal UX as a platform: expressive, declarative widgets & tracebacks (rich, textual). Samuel Colvin (samuelcolvin): Type-first data parsing/validation: dataclass-like models, speed, correctness at runtime (pydantic). Tom Christie (tomchristie): Spec-first HTTP/ASGI: small, composable building blocks with clean, typed APIs (Starlette, HTTPX, DRF). Hynek Schlawack (hynek): "Pragmatic robustness": explicit data classes, immutability, production-grade logging/retries (attrs, structlog, stamina). Kenneth Reitz (kennethreitz): Human-friendly HTTP: readable API, sensible defaults-"for humans" ethos (requests). Mike Bayer (zzzeek): SQL power with control: Core+ORM symmetry, dialect depth, explicitness over magic (SQLAlchemy). Andreas Muller (amueller): Consistent estimator API and careful defaults; pipelines that encourage good practice (scikit-learn). Jason R. Coombs (jaraco): Stdlib-aligned micro-libs and packaging hygiene; maintenance automation across many small projects. Brett Cannon (brettcannon): Import system & packaging correctness; small, well-documented utilities and process guidance. Andrew Svetlov (asvetlov): asyncio-native HTTP: backpressure-aware servers/clients with explicit control (aiohttp). Eric V. Smith (ericvsmith): Dataclasses for declarative data models-generated methods, typing-friendly, minimal boilerplate. Grant Jenks (grantjenks): Pure-Python performance with clean APIs; sorted collections "fast as C-extensions" (sortedcontainers). Bruno Oliveira (nicoddemus): Pytest ergonomics: fixtures/plugins that keep tests readable, fast, and scalable. Benoit Chesneau (benoitc): UNIX-style simplicity for web serving: pre-fork model, predictable ops (gunicorn). Andy McCurdy (andymccurdy): Thin, Pythonic client over a fast backend: predictable API and pragmatism for Redis (redis-py). Non-fiction Authors https://claude.ai/chat/5318d32f-ac93-4d4b-8181-c3d8a196b602 Science & Ideas Popularizers Malcolm Gladwell: Opens with a vivid, unexpected anecdote about an obscure person or event, then zooms out to reveal a counterintuitive thesis supported by social science research; conversational yet authoritative tone with frequent rhetorical questions; builds arguments through accumulating surprising case studies that all click together in a satisfying "aha" moment. Paul Graham: Simple sentences, builds arguments progressively, challenges conventional wisdom, personal anecdotes, no unnecessary jargon. Randall Munroe: Applies rigorous physics and engineering to absurd hypothetical questions with deadpan seriousness; stick-figure diagrams as essential explanatory tool; dry humor emerging from taking silly premises to logical extremes; "Thing Explainer" constraint of simple words forcing creative clarity; footnotes and asides deliver jokes; treats reader curiosity as worthy of real scientific effort regardless of question's absurdity. James Gleick: Elegant, literary prose that traces how transformative ideas (chaos, information, time) emerged and reshaped understanding; treats intellectual history as narrative drama; patient explanations that never condescend; builds conceptual frameworks readers can inhabit; synthesizes biography, science, and cultural history; makes abstract mathematical concepts feel like inevitable discoveries; "Chaos" and "The Information" as models of idea-driven narrative. Martin Gardner: Recreational mathematics as joyful play rather than academic drudgery; puzzles and paradoxes as entry points to deep mathematical ideas; clear, enthusiastic explanations encouraging reader participation; vast range from topology to magic tricks to philosophical puzzles; Scientific American column voice inviting readers to solve alongside him; treats mathematical beauty as accessible to anyone willing to think carefully; skeptical debunker of pseudoscience. Tim Harford: Economics illuminated through everyday situations (coffee shops, supermarkets, dating) with British wit; counterintuitive insights delivered conversationally; radio-honed clarity from BBC's "More or Less"; treats economic reasoning as practical lens for understanding the world; data literacy advocacy without preachiness; specific, vivid examples anchoring abstract principles; accessible to general readers while respecting the underlying logic. Isaac Asimov: Extraordinary clarity across an impossible range of subjects (science, history, Bible, Shakespeare); builds systematically from first principles assuming intelligent but uninformed readers; conversational, unpretentious tone with occasional autobiographical asides; no jargon, short sentences, relentless accessibility; treats the joy of understanding as reward enough; prolific output without sacrificing lucidity; made being a popularizer respectable. Nassim Nicholas Taleb: Pugnacious, aphoristic style that attacks "fragilistas" and conventional experts; blends finance, philosophy, and Mediterranean wisdom; confident to the point of arrogance; uses vivid characters (Fat Tony vs. Dr. John) to embody ideas; tangential footnotes and digressions; treats uncertainty as the central truth of existence. Richard Dawkins: Crystal-clear explanations of evolutionary biology using extended metaphors (selfish genes, blind watchmakers); elegant prose with occasional polemical edge; patient buildup of logical arguments; Oxford don confidence; treats natural selection as endlessly fascinating and sufficient to explain apparent design. Steven Pinker: Lucid, confident prose that treats readers as intelligent adults; systematically demolishes conventional wisdom using data, evolutionary psychology, and cognitive science; employs precise analogies and dry wit; structures arguments with clear signposting while maintaining intellectual density; unapologetically optimistic about reason and progress. Yuval Noah Harari: Sweeping macro-historical perspective that zooms out to view human civilization from an almost alien vantage point; provocative reframings of familiar concepts (money as "shared fiction"); accessible yet philosophically ambitious; blends biology, history, and futurism into grand unified narratives with confident, declarative sentences. Carl Sagan: Poetic wonder at cosmic scales combined with rigorous scientific skepticism; lyrical prose that builds to emotional crescendos about humanity's place in the universe; gentle, warm voice that makes readers feel both humbled and elevated; uses "billions and billions" style repetition for rhetorical effect. Mary Roach: Immersive, first-person investigations into taboo or overlooked subjects (cadavers, digestion, sex); self-deprecating humor and willingness to ask embarrassingly obvious questions; footnotes as comic relief; treats gross or uncomfortable topics with infectious curiosity rather than squeamishness; conversational and slightly irreverent. Oliver Sacks: Clinical case studies transformed into deeply humanistic portraits; neurological mysteries explored with literary sensitivity and philosophical depth; compassionate, almost tender attention to patients' subjective experiences; prose that balances medical precision with wonder at the brain's strangeness; gentle, avuncular wisdom. Bill Bryson: Self-deprecating, bumbling everyman narrator who makes vast subjects (science, language, America) accessible through comic mishaps and astonished observations; infectious enthusiasm punctuated by absurdist tangents; British-American sensibility that finds the world perpetually surprising and delightfully weird. Neil deGrasse Tyson: Enthusiastic, exclamation-point-heavy explanations of astrophysics for general audiences; pop culture references and accessible analogies; conversational swagger with occasional mic-drop moments; emphasizes the "awesome" in the colloquial sense; Twitter-ready soundbites nested within longer explanations. Stephen Jay Gould: Essayistic explorations that begin with baseball, architecture, or church windows before revealing deep evolutionary principles; celebrates contingency and punctuated equilibrium; humanistic, literary sensibility rare in science writing; delights in historical oddities and debunking myths; dense but rewarding paragraphs. Lewis Thomas: Brief, meditative essays that find profound meaning in cellular biology and etymology; elegant, almost aphoristic prose; treats the body and nature as sources of wonder; gentle optimism about life's interconnectedness; physician's perspective combined with poet's sensibility; economical and luminous. E.O. Wilson: Synthesizing ambition that unifies biology, social science, and humanities; lyrical descriptions of nature (especially insects) combined with sweeping theoretical frameworks; autobiographical warmth; patient explanations of complex ecological relationships; treats biodiversity as sacred and consilience as achievable. Brian Greene: String theory and cosmology explained through vivid thought experiments and everyday analogies; maintains mathematical rigor while remaining accessible; builds concepts carefully in layers; enthusiastic about the elegance of physics; uses "imagine you're shrinking down" scenarios to illuminate abstract concepts. Michio Kaku: Breathless futurism rooted in theoretical physics; treats science fiction scenarios as imminent possibilities; enthusiastic, almost giddy tone about technological transformation; explains complex physics through pop culture references; accessible to the point of occasional oversimplification; boundless optimism about human potential. Sean Carroll: Philosophically sophisticated physics writing that takes interpretive questions seriously; clear, patient explanations of quantum mechanics and cosmology; engages with the "why" questions most physicists avoid; conversational but intellectually rigorous; treats physics as continuous with philosophy. Jared Diamond: Comparative analysis across civilizations and continents; asks big "why" questions (why did Eurasians dominate?); marshals evidence from geography, biology, linguistics, and archaeology; accessible synthesis of academic research; occasionally controversial conclusions delivered with confident authority. Matt Ridley: Libertarian-inflected science writing that celebrates emergence, markets, and evolutionary adaptation; optimistic about human progress; lucid explanations of genetics and innovation; argues against top-down planning in favor of bottom-up solutions; engaging, accessible prose with contrarian edge. Code & Technology Here are writers whose style fits this brief, focused format well: Technical/Programming: Simon Willison: Clear, example-driven explanations of web development and data tooling; conversational tone with practical code snippets; builds concepts progressively. Julia Evans: Explains complex systems (DNS, Git, networking) with infectious curiosity and zero pretension; gets straight to the "aha!" moment Dan Luu: Systematic, data-driven analysis that front-loads conclusions then supports them; no fluff Rachel by the Bay: War stories from the trenches told with dry wit; always has a concrete takeaway Hillel Wayne: Makes formal methods and verification approachable through clear examples and honest limitations Xe Iaso: Direct technical explanations with personal voice; comfortable saying "here's what I learned" Brandur: Clean, structured technical posts about databases and Go; leads with the practical insight Joel Spolsky: Software development wisdom through storytelling; gets to the point while entertaining Paul Graham: Essay format but front-loads the thesis; conversational yet substantive Nathan Yau (Flowing Data): Data visualization explained through what you're actually seeing; no mystery Alberto Cairo: Data journalism with clarity; shows then explains the visualization choices Benedict Evans: Distills tech trends into sharp observations; no throat-clearing Matt Levine: Finance/tech with personality; explains the punchline upfront then the setup Gergely Orosz: Tech industry insights structured clearly; uses bullets and sections well Nicky Case: Makes interactive explanations that teach through doing; transparent about the learning goal Bartosz Milewski: Complex topics (category theory) made accessible through building up from basics Narrative Non-Fiction & Journalism Michael Lewis: Character-driven narratives about complex systems (finance, sports, government); finds eccentric outsiders who see what others miss; explains arcane subjects through vivid personalities; cinematic scene-setting; builds suspense around intellectual discoveries; makes readers feel smart for understanding complicated things. Jon Krakauer: Immersive, first-person adventure journalism with existential undertones; meticulous reconstruction of disasters and obsessions; morally complex portraits of driven, flawed individuals; atmospheric scene-setting in extreme environments; unflinching examination of hubris and human limitations. Erik Larson: Parallel narrative structures interweaving multiple storylines toward inevitable collision; meticulous historical research rendered as propulsive thriller; novelistic techniques (weather, atmosphere, foreshadowing) applied to true events; Gilded Age and early 20th century settings; builds dread through accumulating period detail. Rebecca Skloot: Interweaves investigative journalism with personal narrative; gives voice to marginalized subjects overlooked by history; explains complex science through human stories; confronts ethical questions about research and consent; builds trust with reluctant sources; patient, empathetic reporting. Susan Orlean: Finds obsessive subcultures and illuminates them with novelistic detail; treats seemingly trivial subjects (orchids, libraries, chickens) as windows into human nature; curious, warm, slightly bemused narrative voice; immersive reporting that earns intimacy with subjects; elegant, unhurried prose. John McPhee: Structural innovation matched with meticulous reporting; finds the universal in the specific (geology in New Jersey, bark canoes as cultural history); patient, accumulating detail that rewards attention; digressional architecture; treats every subject as infinitely interesting; elegant, precise sentences. Gay Talese: Pioneering New Journalism that applies novelistic techniques to reporting; intimate access to subjects over long periods; composite scenes and interior perspectives; elegant, slightly formal prose; treats ordinary lives with the gravity of literature; patient observation over quick takes. Tom Wolfe: Hyperbolic, status-obsessed social satire disguised as journalism; baroque sentences loaded with exclamation points and onomatopoeia; skewers pretension while delighting in surface detail (clothes, décor, speech patterns); ironic distance from subjects; invented punctuation and typography for emphasis!!! Hunter S. Thompson: Gonzo first-person narration where the reporter becomes the story; drug-fueled paranoia as lens for American madness; savage humor and moral outrage; surreal imagery and hallucinatory tangents; attacks on authority with apocalyptic rhetoric; sports and politics as theater of the absurd. Joan Didion: Spare, crystalline prose with devastating precision; California and American mythologies examined through personal lens; fragmentary structures that mirror psychological states; cool surface concealing deep anxiety; sentences that hit like verdicts; acute sensitivity to self-deception and cultural drift. Janet Malcolm: Interrogates the ethics of journalism itself; recursive, self-aware examination of reporter-subject relationships; elegant prose with sudden devastating observations; treats interviews as power dynamics; skeptical of narrative coherence; finds uncomfortable truths others avoid. Truman Capote: Invented "nonfiction novel" with cinematic scene construction; intimate, almost intrusive access to subjects; lyrical, sensuous prose applied to dark material; sympathy for outsiders and killers; Southern Gothic atmosphere; patient accumulation of detail toward inevitable tragedy. George Orwell: Crystalline clarity that treats political writing as moral act; plain Anglo-Saxon words over Latinate abstraction; personal witness to larger historical forces; democratic socialist perspective with anti-authoritarian skepticism; concrete images ("boot stamping on face") as political argument; intellectual honesty as supreme virtue. Christopher Hitchens: Pugnacious, erudite polemics delivered with rhetorical flourish; extensive literary references deployed as weapons; contrarian positions defended with combative wit; long sentences that build to devastating conclusions; treats intellectual combat as highest entertainment; unapologetic confidence in his own judgment. Philosophy / Religion Pico Iyer Socrates Marilynne Robinson: meditative, precise, and profoundly concerned with virtue, grace, and moral integrity Ursula K. Le Guin: speculative fiction with deep philosophical underpinnings; explores anarchism, Taoism, and human nature through richly imagined worlds; lyrical prose that treats social structures as malleable; empathetic portrayals of "the other"; challenges David Mitchell: complex, dazzling, formally ambitious, and capable of weaving diverse conceptual threads into a single, cohesive tapestry. Interwoven narratives that explore identity, memory, and the nature of reality; genre-blending style; philosophical themes embedded in character-driven stories; treats time and consciousness as fluid constructs Rajaji, S Radhakrishnan The Buddha? Psychology, Behavior & Self-Help Adam Grant: Organizational psychology translated into actionable insights; counterintuitive findings about success (givers vs. takers); rapid synthesis of research with business examples; enthusiastic, practical tone; LinkedIn-ready takeaways embedded in longer arguments; optimistic about human potential in workplace. Daniel Kahneman: Behavioral economics explained through elegant experiments and personal anecdotes; systematic demolition of rational actor model; humble acknowledgment of his own biases; accessible explanations of statistical concepts; conversational authority built over decades of research; treats irrationality as fascinating rather than shameful. Atul Gawande: Surgeon-essayist who finds systemic insights in clinical encounters; checklist thinking applied to complex problems; acknowledges medicine's uncertainties with unusual candor; elegant narrative arcs built from case studies; combines personal fallibility with institutional analysis; New Yorker polish with public health purpose. Brené Brown: Vulnerability research delivered with Texas warmth and self-deprecating humor; TED Talk energy transferred to page; personal stories of shame and breakthrough; academic findings made accessible through confessional narrative; direct address to reader's fears; courage framed as achievable practice. Angela Duckworth: Grit and perseverance as learnable skills; research findings delivered through inspiring profiles; optimistic about growth mindset; accessible writing with self-help framework; balances academic rigor with motivational energy; treats character as measurable and developable. Jonathan Haidt: Moral psychology explained through vivid metaphors (elephant and rider, taste receptors); bridges liberal-conservative divide with empathy; evolutionary explanations for political differences; accessible synthesis of research across disciplines; treats disagreement as puzzle to understand rather than battle to win. Robert Cialdini: Influence and persuasion explained through categorized principles (reciprocity, scarcity, authority); real-world examples from sales, cults, and cons; practical, almost how-to framing; academic research made applicable; acknowledges manipulation while teaching defense; systematic framework builders will love. Mihaly Csikszentmihalyi: Flow states as path to meaningful life; positive psychology before the term existed; research findings delivered with philosophical depth; treats consciousness as terrain to be cultivated; academic rigor with humanistic purpose; accessible explanations of optimal experience. Carol Dweck: Growth vs. fixed mindset as transformative framework; research on praise, failure, and learning; accessible, practical, slightly repetitive; treats intelligence as malleable; parenting and education implications emphasized; optimistic about human potential through simple reframes. Business & Strategy Michael Porter: Dense, systematic frameworks for competitive strategy; academic rigor applied to business decisions; creates vocabulary that becomes industry standard (five forces, value chain); assumes sophisticated reader; treats strategy as analytical discipline rather than art. Peter Drucker: Wise, aphoristic management philosophy from decades of observation; invented modern management as discipline; treats organizations as human communities with purposes; clear, direct prose without jargon; timeless principles over trends; humanistic capitalism. Jim Collins: Research-driven business insights delivered through memorable frameworks (Level 5 Leaders, Hedgehog Concept, Flywheel); extensive case studies synthesized into actionable principles; disciplined, systematic approach; treats greatness as achievable through right practices; built to last mentality. Clayton Christensen: Disruptive innovation theory explained through detailed industry case studies; academic framework made practically applicable; patient, thorough analysis of why good companies fail; treats disruption as predictable pattern rather than random event; business school case study approach. Seth Godin: Punchy, aphoristic marketing wisdom in short blog-post-sized chunks; purple cow, permission marketing, tribes as memorable frameworks; treats average as death; direct address to reader's fears about standing out; optimistic about remarkable individuals challenging industrial mediocrity. Simon Sinek: "Start with Why" as central organizing principle; TED Talk style translated to page; inspirational tone with business examples; treats purpose as competitive advantage; accessible, motivational, occasionally repetitive; golden circle diagrams for visual thinkers. Tim Ferriss: Life-hacking optimized living through aggressive experimentation; 4-hour frameworks for escaping conventional paths; interviews deconstructing peak performers' routines; biohacking meets lifestyle design; practical tactics with libertarian self-reliance ethic; treats readers as potential outliers. Ryan Holiday: Stoic philosophy applied to modern life and business; accessible translations of Marcus Aurelius and Seneca; obstacle-is-the-way reframing; short chapters with practical applications; treats ancient wisdom as competitive advantage; blends self-help with serious philosophical reading. Robert Greene: Historical case studies revealing timeless laws of power and strategy; Machiavellian analysis presented without moral judgment; dense, almost encyclopedic structure with marginalia; treats human nature as unchanging; dark psychology made explicit; seduction, war, and mastery as learnable arts. James Clear: Atomic habits framework built from behavioral science; compound gains through small changes; clear, systematic, highly actionable; treats identity change as mechanism for behavior change; accessible synthesis of research; practical without being simplistic; 1% better every day philosophy. Mark Manson: Profanity-laced self-help that attacks positivity culture; "subtle art of not giving a f\ck" as counterintuitive framework; treats acceptance of negative as path to contentment; internet-native voice applied to perennial wisdom; appeals to readers tired of conventional self-help. Nassim Nicholas Taleb: (See above under Science—his business/risk writing has same style: aphoristic, combative, anti-fragile frameworks) History & Biography David McCullough: Sweeping, old-fashioned narrative history with novelistic pace; brings Founding Fathers and presidents to vivid life; treats subjects with affection and moral seriousness; accessible without condescension; believes in American greatness while acknowledging flaws; voice made for audiobook narration. Ron Chernow: Definitive, doorstop biographies built from exhaustive archival research; treats financial and political history as inseparable; finds drama in banking and treasury departments; comprehensive yet readable; subjects (Hamilton, Washington, Rockefeller) revealed in full psychological complexity. Robert Caro: Monumental, obsessively detailed biographies (LBJ, Robert Moses) that redefine understanding of power; decades of research per volume; treats infrastructure and political machinery as character; accumulating evidence toward devastating conclusions; turns bureaucratic maneuvers into gripping narrative. Barbara Tuchman: Narrative history that reads like novel; treats historical actors as fully dimensional characters; "Guns of August" style tragic inevitability; accessible synthesis without academic footnoting; finds contemporary relevance in distant events; "March of Folly" as recurring human pattern. Doris Kearns Goodwin: Presidential history through intimate personal relationships; "Team of Rivals" approach showing greatness through generosity; accessible, warm narrative style; treats leadership as learnable through historical example; extensive archival research made readable for general audiences. Simon Schama: Baroque, sensuous prose applied to art and history; passionate engagement with visual culture; treats paintings and landscapes as historical evidence; British intellectual with American audience; ambitious scope matched by stylistic ambition; history as literature. Stephen Ambrose: Band of Brothers military history focusing on ordinary soldiers' experiences; accessible, patriotic without being jingoistic; treats WWII generation with reverence; action-driven narrative built from interviews; makes reader feel present at D-Day; occasionally criticized for accuracy. Hampton Sides: Adventure history that reads like thriller; meticulous research on expeditions, escapes, and military operations; cinematic scene-setting; multiple narrative threads converging; treats historical actors as complex individuals; Ghost Soldiers/Blood and Thunder approach to dramatic true stories. Memoir & Personal Essay David Sedaris: Self-deprecating family comedy with dark undertones; absurdist observations on everyday life; expat in France perspective; treats dysfunction as material; short, punchy essays perfect for public radio; timing and delivery honed from live performance; finds humor in mortality and failure. Anne Lamott: Confessional, spiritually-inflected personal essays; treats writing and faith as intertwined practices; self-deprecating humor about anxiety and parenting; "bird by bird" practical wisdom; progressive Christianity with recovery program sensibility; raw, emotionally honest, occasionally messy. Ta-Nehisi Coates: Personal experience as window into systemic racism; letter-to-son structure; treats Black body as subject of American violence; beautiful, controlled rage in lyrical prose; Atlantic essay style extended to book length; unsparing examination of American mythology. Roxane Gay: Personal essays on body, gender, and popular culture; treats fatness and trauma with unflinching honesty; academic and popular registers combined; finds feminist critique in reality TV and music; Bad Feminist framework acknowledging contradictions; confessional yet analytical. Cheryl Strayed: Wild-style redemption memoir through physical ordeal; "Dear Sugar" advice column wisdom; treats suffering as teacher; lyrical prose about grief, addiction, and healing; direct emotional appeal; mothers, loss, and hiking as recurring elements. Elizabeth Gilbert: Eat Pray Love spiritual memoir as international journey; accessible, warm, self-deprecating tone; treats self-discovery as achievable adventure; Big Magic creativity advice; appeals to readers seeking permission for change; optimistic about transformation. Anthony Bourdain: Kitchen Confidential insider exposé extended to global travel; treats food as cultural revelation; profane, streetwise voice; celebrates working-class craft; finds authenticity in holes-in-wall over fancy restaurants; punk rock sensibility applied to culinary writing. Pico Iyer: Meditative travel writing that treats stillness as destination; Japan and monasteries as recurring settings; elegant, philosophical prose; finds meaning in airports and transit spaces; global soul as identity category; treats movement and rootlessness as spiritual condition. Nature & Environment Annie Dillard: Mystical attention to natural world with theological undertones; Pilgrim at Tinker Creek as patient observation transformed into meditation; treats seeing as spiritual discipline; violent beauty in nature; baroque, visionary prose; small moments expanded into cosmic significance. Barry Lopez: Arctic Dreams approach to landscape and indigenous knowledge; treats place with reverent attention; ethical relationship with nature as central concern; gorgeous, careful prose; bridges science and spirituality; endangered landscapes as moral imperative. Elizabeth Kolbert: Climate science journalism with devastating clarity; Sixth Extinction field reporting; treats scientists as characters; makes abstract threat concrete through specific species and places; measured tone that lets facts deliver emotional impact; New Yorker precision. Michael Pollan: Food and plants as entry points to larger questions about nature and culture; Omnivore's Dilemma investigative approach; first-person experiments (growing, hunting, building); treats industrial food system as worthy of scrutiny; accessible, curious, slightly earnest. Robin Wall Kimmerer: Indigenous and scientific knowledge braided together; treats plants as teachers and relations; Braiding Sweetgrass approach to botanical wisdom; poetic, reverent prose; reciprocity with nature as ethical framework; mourning and hope intertwined. Aldo Leopold: Sand County Almanac as founding text of land ethic; treats land as community to belong to; seasonal observations building to philosophical conclusions; spare, elegant prose; ecological conscience as achievement; poetic compression. Rachel Carson: Silent Spring as model of science writing with moral purpose; treats nature with lyrical attention; builds evidence toward environmental alarm; accessible explanation of complex ecology; sea and shore as subjects of wonder; revolutionary impact through beautiful prose. David Quammen: Disease ecology and evolution explained through adventurous field reporting; Spillover approach to zoonotic threats; treats scientists as characters in detective stories; dense with research yet propulsive; finds narrative in epidemiology. Sy Montgomery: Deep empathy across species boundaries; Soul of an Octopus immersive approach; treats animal minds as worthy of serious attention; naturalist adventures with personal reflection; emotional connection as scientific method; wonder and grief intertwined. Technology & Digital Culture Walter Isaacson: Definitive biographies of tech innovators (Jobs, Musk, Einstein); extensive access to subjects and archives; treats genius as combination of talent and personality flaws; comprehensive without being academic; narrative authority built from thoroughness. Steven Levy: Hackers cultural history approach; treats tech communities as subcultures worthy of anthropological attention; insider access without sycophancy; chronicles Silicon Valley with historical perspective; explains technical concepts through personalities. Kevin Kelly: Techno-optimist philosophy from Wired founding editor; treats technology as evolutionary force; counterintuitive frameworks (1000 true fans, Amish innovation); sweeping historical perspective; optimistic about tools and human potential. Nicholas Carr: Skeptical examination of technology's cognitive effects; "Is Google Making Us Stupid?" extended analysis; treats distraction as design choice; elegant prose with philosophical depth; counterweight to tech utopianism. Cathy O'Neil: Weapons of Math Destruction critique of algorithmic systems; treats data science as political; insider perspective on quantitative finance; accessible explanations of technical discrimination; moral urgency about mathematical injustice. Sherry Turkle: Alone Together analysis of technology and relationships; treats devices as revealing psychological needs; MIT researcher with clinical depth; worried but not dismissive about digital intimacy; interviews and observation as method. Linguistics & Wordplay Experts Dmitri Borgmann: The godfather of logology (recreational linguistics); exhaustively catalogued word curiosities in "Language on Vacation" and "Beyond Language"; treats English vocabulary as a finite but astonishingly rich puzzle space to be systematically explored; would have definitive lists of letter-proportion champions organized by word length, letter, and dictionary source; obsessive completism as methodology; dry presentation letting the words speak for themselves. Ross Eckler: Longtime editor of Word Ways who brought mathematical rigor to wordplay; treats logology as serious amateur scholarship; would compute exact statistics, establish precise criteria (which dictionary? proper nouns?), and present findings in tables with exhaustive appendices; systematic where Borgmann was encyclopedic; less playful, more definitive. Richard Lederer: "Anguished English" populist approach to language play; treats word oddities as delightful entertainments for general readers; would emphasize memorable examples over comprehensive lists; pun-friendly, accessible, syndicated-column-length pieces; celebrates English's weirdness without academic apparatus. Gyles Brandreth: British wordplay enthusiast and broadcaster; treats language games as civilized entertainment; would approach this as an after-dinner puzzle; anecdotal, charming, slightly theatrical; "The Joy of Lex" sensibility finding pleasure in curiosities without exhaustive analysis. Anu Garg: "A.Word.A" founder who serves daily vocabulary with etymological depth; would frame letter-repetition as window into word origins and sound symbolism; email-newsletter brevity with global subscriber community engagement; treats words as daily companions worthy of attention. Mark Forsyth: "The Etymologicon" chain-of-connections approach; would find this puzzle a springboard to unexpected etymological tangents—why does "banana" repeat? what about onomatopoeia?; witty, digressive British prose; treats language history as endless entertainment. David Crystal: Academic linguist who writes accessibly about language structure; would situate letter-proportion in phonological and orthographic context; might ask whether this reflects deeper patterns in English morphology; authoritative yet engaging; treats popular linguistics as serious public service. Will Shortz: NPR puzzle master and NYT crossword editor; would present this as a challenge to listeners/solvers; prizes elegance and "aha" moments over exhaustive lists; treats puzzles as communal entertainment with competitive edge; concise setups with satisfying reveals. Publications https://claude.ai/chat/5318d32f-ac93-4d4b-8181-c3d8a196b602 General Interest Magazines The New Yorker: Long-form journalism with novelistic scene-setting and psychological depth; rigorous fact-checking enabling confident assertions; understated humor and cultural sophistication assumed; extensive context even for breaking news; Talk of the Town wit; profiles that reveal character through accumulated detail; treats every subject as worthy of serious attention. The Atlantic: Ideas-driven journalism that bridges academia and general readers; treats policy debates as intellectual puzzles; moderate-liberal perspective with contrarian voices; long essays that build arguments carefully; historical context for contemporary issues; confident authorial voice with institutional authority. Harper's Magazine: Literary essays and reporting with leftist intellectual perspective; Index as satirical juxtaposition; treats culture with serious attention; slower pace than newsweeklies; beautiful prose valued over news breaks; Readings section curating provocative primary sources; intellectual ambition. The Economist: Authoritative, unsigned analysis of global affairs with British wit; treats readers as intelligent generalists; clear explanations without dumbing down; data-driven yet opinionated; classical liberal perspective applied consistently; confident predictions and policy prescriptions; Lexington, Bagehot, Charlemagne bylines signal expertise. Vanity Fair: Glamorous longform on power, money, and celebrity with insider access; treats wealth and scandal as worthy subjects; glossy production values matched by journalistic ambition; profiles that capture subjects at moments of crisis; Hollywood and Wall Street as recurring milieus. GQ / Esquire: Men's magazine longform that transcends lifestyle content; muscular prose on politics, sports, and masculinity; first-person immersion pieces; treats adventure and danger as legitimate subjects; literary ambition within commercial context; profiles of male icons with psychological depth. Rolling Stone: Rock journalism extended to political reporting and true crime; countercultural perspective on American power; gonzo heritage with mainstream reach; treats music as cultural force; longform investigations with attitude; Matt Taibbi era savagery toward Wall Street. News Analysis & Opinion New York Times Magazine: Sunday magazine pace for news analysis and culture; visual storytelling integrated with text; treats photography as journalism; ambitious longform with institutional resources; feature wells that allow extended narratives; covers as cultural moments. The Guardian Long Read: British-international perspective on global issues; leftist-progressive viewpoint with intellectual rigor; extensive context for breaking stories; treats inequality and power as central concerns; ambitious length for web journalism; audio versions for commuters. ProPublica: Investigative journalism with public interest mission; database journalism and document-driven reporting; treats accountability as purpose; extensive methodology transparency; collaborations with local newsrooms; findings-focused rather than narrative-driven. The Intercept: Adversarial journalism focused on national security and civil liberties; Snowden-era founding principles; treats government secrecy as default subject; progressive-libertarian perspective on surveillance; document dumps with analysis; Glenn Greenwald combative origins. Science & Nature Publications Scientific American: Explains cutting-edge research for educated non-specialists; treats readers as intellectually serious; graphics and visualizations integral to explanations; avoids sensationalism while maintaining accessibility; 175-year authority; researcher bylines with editorial polish; longer than newspaper science, shorter than books. National Geographic: Visual-first storytelling where photography carries narrative weight; treats Earth's diversity as inexhaustible subject; expedition journalism to remote places; environmental advocacy integrated with wonder; maps and infographics as signature elements; yellow border as brand of exploration and authority. Nature / Science: Primary research journal conventions: abstract, methods, results, discussion; treats peer review as quality guarantee; news sections accessible but research papers require expertise; significant findings announced with institutional weight; embargo culture shapes science journalism globally. Popular Science: Explains technology and science for enthusiast audiences; treats gadgets and innovations as exciting; how-it-works explanations with diagrams; optimistic about technological progress; accessible without being academic; DIY projects and product coverage alongside features. Discover: Magazine science journalism with narrative ambition; treats research as ongoing adventure; accessible explanations for curious generalists; year's top stories format; covers astronomy, health, paleontology as equally interesting; more personality than Scientific American, more depth than daily newspapers. Nautilus: Interdisciplinary science magazine organized around themes (time, uncertainty, boundaries); treats science as humanistic inquiry; essays that bridge disciplines; beautiful design with illustration; slower pace than news cycle; philosophical questions as framing. Quanta Magazine: Math and physics journalism with unusual rigor; treats readers as capable of following complex arguments; explains proofs and discoveries with clarity; Simons Foundation backing enables depth; profiles of researchers as characters; covers areas other outlets ignore. Aeon: Essay-length explorations of ideas across philosophy, science, and culture; treats big questions seriously; international roster of academic contributors; beautiful design; free access supported by foundation; slower pace than journalism, more accessible than journals. Technology Publications Wired: Treats technology as cultural force shaping society; magazine feature ambition with digital native sensibility; profiles of founders and thinkers; design and aesthetics as integral; long-form investigations of Silicon Valley; Condé Nast production values; optimistic but not naive about tech. MIT Technology Review: Emerging technology explained with institutional authority; treats AI, biotech, energy as transformative forces; academic rigor accessible to industry audiences; annual lists (Innovators Under 35, Breakthrough Technologies) as franchise; less breathless than Wired, more forward-looking than academic journals. Ars Technica: Deep technical analysis for knowledgeable audiences; treats readers as capable of understanding protocols and code; extensive coverage of policy affecting technology; gaming and science alongside enterprise tech; comment section as community; longer than typical tech blogs. The Verge: Consumer technology with design sensibility; treats gadgets as cultural objects; reviews with strong editorial voice; accessible explanations for mainstream audiences; video integral to coverage; Vox Media polish; lifestyle integration with tech coverage. Hacker News: Community-curated tech links with comment discussions; treats intellectual curiosity as shared value; startup and programming focus; Paul Graham essays as founding documents; karma system rewards thoughtful contributions; contrarian views welcomed if well-argued. Business & Economics Harvard Business Review: Management research translated for practitioner audiences; treats business as worthy of intellectual attention; case study methodology; frameworks and models as deliverables; prestigious bylines from academics and executives; measured, authoritative tone; treats leadership as learnable. Fast Company: Innovation and design focus with optimistic energy; treats creative companies as worthy subjects; profiles of founders disrupting industries; design thinking as editorial perspective; magazine features with digital urgency; more celebratory than critical. Fortune / Forbes: Business journalism focused on companies and wealthy individuals; Fortune 500 rankings as franchise; treats capitalism with respect while covering scandals; executive profiles and deal coverage; institutional authority in business community. Bloomberg Businessweek: Sharp, witty business journalism with distinctive visual design; treats markets and policy with sophistication; unconventional cover concepts; data visualization as signature; more attitude than traditional business magazines; investigative ambition. Financial Times: Pink paper authority on global finance and business; treats City and Wall Street as primary constituencies; Weekend Magazine cultural coverage; data-driven analysis with European perspective; subscription model enabling depth; Alphaville blog voice. FiveThirtyEight: Data journalism treating politics and sports with quantitative rigor; probability-focused election forecasting; treats uncertainty explicitly; Nate Silver methodology; interactive graphics; sports analytics beyond politics; explainers grounded in data. Technical & How-To Publishers O'Reilly Media: Technical books written by practitioners for practitioners; animal covers as brand identity; treats readers as professionals needing depth; comprehensive reference works alongside tutorials; early adoption of ebooks and DRM-free; conference business integrated with publishing; "the animal book on X" as category definition. For Dummies: Makes intimidating subjects accessible through consistent, friendly structure; yellow-and-black branding with cartoon figure; treats readers as intelligent beginners deserving respect; sidebars, tips, warnings as navigation aids; self-deprecating title removes shame from learning; comprehensive coverage without assuming prior knowledge; "Reference for the Rest of Us" populism. Pragmatic Programmers: Developer-focused books emphasizing practical, opinionated guidance; "beta book" early access model; treats programming as craft to be honed; exercises and projects integral; specific technology stacks with clear recommendations; community of practice sensibility; updates and errata transparent. Manning Publications: In-depth technical books with "in Action" series format; MEAP early access program; treats readers as serious developers wanting thorough coverage; code examples central to exposition; liveBook online format; integration with video training. No Starch Press: Hacker and maker culture publisher with playful design; treats security, programming, and hardware with enthusiasm; "Serious About Fun" tagline; books for curious tinkerers; covers stand out on technical shelves; Python, security, and hardware focus. Wiley: Academic and professional publisher across disciplines; textbooks, professional references, and trade books; For Dummies imprint alongside serious technical works; treats institutional markets seriously; comprehensive revision cycles; brand authority in specific fields. Apress: Developer-focused technical books, especially Microsoft ecosystem; "Pro" series for advanced topics; treats enterprise development seriously; comprehensive coverage of specific platforms; expert author recruitment; digital-first orientation. Literary & Cultural Review The Paris Review: Writer interviews as primary franchise; Art of Fiction/Poetry series revealing craft; treats literary ambition as highest calling; fiction and poetry alongside interviews; iconic covers; discovering emerging voices; craft-focused rather than political. The New York Review of Books: Long-form essay reviews that transcend book being reviewed; treats intellectual debate as essential; left-liberal perspective with contrarian voices; extensive engagement with ideas; older, serious readership; Silvers-era authority continuing. London Review of Books: British counterpart to NYRB with more literary focus; treats books as occasions for essayistic exploration; personal voice and digressions welcomed; left-leaning perspective; Personals column as beloved feature; academic contributors with general audiences. n+1: Intellectual magazine with millennial sensibility; treats contemporary culture with serious critical attention; long essays on technology, politics, literature; Brooklyn literary scene origins; collective editorial structure; print-forward despite digital era. The Believer: McSweeney's literary magazine celebrating enthusiasm over snark; treats "difficult" art as worthy of accessible discussion; interviews with artists and thinkers; visual elements and comics integrated; optimistic about cultural possibilities. McSweeney's Quarterly: Experimental fiction and design as inseparable; treats physical book object as worthy of attention; playful formats (cigar boxes, bundles of mail); Dave Eggers founding vision; literary ambition with formal innovation; lists and humor alongside serious fiction. Lapham's Quarterly: Historical sources curated around themes; treats past as usable for understanding present; extensive excerpts from primary sources; Lewis Lapham's editorial voice; beautiful design; subscription model for serious readers. Digital-Native Publications Vox: Explanatory journalism treating readers as wanting to understand, not just know; card stacks and explainers as format innovation; liberal perspective made explicit; video integrated with text; "everything you need to know" promise; policy focus with accessibility. Slate: Contrarian takes on news and culture; treats conventional wisdom as target; podcasts as major franchise; XX Factor and other vertical brands; first-person essays alongside reporting; provocative headlines earning clicks through argument. The Ringer: Sports and pop culture with analytical depth; Bill Simmons voice and network; podcasts as primary medium; treats fandom as worthy of serious attention; ranking and list culture; NBA focus with broader cultural coverage. Stratechery: Tech strategy analysis through Ben Thompson's single voice; treats platform dynamics and business models as fascinating; subscription newsletter model proving viability; frameworks applied consistently across companies; Asia-informed perspective; influential among tech executives. Substack (ecosystem): Individual writer voices unconstrained by editorial consensus; treats direct reader relationships as sustainable; newsletter as primary format; comment sections for paid subscribers; varied styles from reported journalism to personal essay; independent but platform-enabled. Academic/Scholarly Made Accessible Steven Pinker (linguistic style): Applies cognitive science to writing itself; "Sense of Style" as practical grammar; treats clarity as achievable through understanding how readers parse; academic authority applied to craft guidance; fights nominalization and bureaucratese. Strunk & White: Terse commandments for clear prose; treats brevity as virtue; "Omit needless words" as mantra; prescriptivist confidence; slim volume as complete guide; Elements of Style authority across generations. Joseph Williams (Style): Explains why bad writing sounds bad through grammatical analysis; treats diagnosis as path to cure; academic rigor applied to practical prose; more explanatory than Strunk; "clarity" and "cohesion" as technical terms made useful. Very Short Introductions (Oxford): Expert synthesis in pocket format; treats readers as intelligent adults wanting efficient depth; consistent length and design; one topic per volume; academic authority without academic density; series collectibility. Graphic/Visual Non-Fiction Edward Tufte: Visual display of quantitative information as design discipline; treats chartjunk and PowerPoint as intellectual enemies; large-format books as unified design objects; Napoleon's march and Challenger disaster as case studies; self-published control; seminars as franchise. Scott McCloud: Comics as medium explained through comics form; "Understanding Comics" meta-approach; treats sequential art with theoretical seriousness; accessible to non-comics readers; iconic explanatory panels widely referenced. Nathan Yau (FlowingData): Data visualization tutorials with statistical rigor; treats R and D3 as creative tools; step-by-step guides with code; blog and books integrated; personal voice with technical depth; visualization as craft to practice. Investigative/True Crime Serial (podcast): Narrative investigation across episodes building suspense; treats uncertainty openly; host as character working through evidence; audience participation in theorizing; season-long commitment to single story; spawned true crime podcast genre. Texas Monthly: Regional magazine with outsized investigative ambition; treats Texas as inexhaustible subject; true crime and oil industry focus; literary feature writing; Skip Hollandsworth narrative craft; "The Confession" and similar franchise pieces. Gentle Persuasion Gemini: Gentle persuasion styles Marshall Rosenberg (Nonviolent Communication): He strips language of all moralistic judgment and diagnosis, forcing the reader (and speaker) to focus entirely on universal human needs and feelings, which makes defensiveness biologically impossible. Daryl Davis (Accidental Courtesy). He recounts his experiences befriending KKK members not with arguments, but with the radical, disarming question: "How can you hate me when you don't even know me?" Dale Carnegie (How to Win Friends and Influence People). He writes with a pragmatic, folksy warmth that frames agreement not as a battle of logic, but as a byproduct of making the other person feel important, understood, and liked. Krista Tippett (On Being). Her interviewing style is a masterclass in "generous listening," where she uses soft, open-ended questions to let guests trace the genealogy of their own beliefs, often surprising themselves with what they say. Carl Sagan (The Demon-Haunted World). He blends rigorous skepticism with a spiritual-like wonder, writing about the universe in a way that makes the reader feel small enough to let go of their ego, yet significant enough to want to know the truth. David McRaney (How Minds Change). He uses a compassionate, journalistic style to deconstruct cognitive biases, framing delusions not as stupidity but as a shared, quirky human condition we can laugh about together. Oliver Sacks (The Man Who Mistook His Wife for a Hat). He approaches the most broken and bizarre human conditions not with clinical detachment, but with a "romantic science" that treats every patient as a complete, dignified soul. Jonathan Haidt (The Righteous Mind). He uses moral psychology to act as an interpreter between political tribes, explaining the "why" behind opposing beliefs so that they appear rational rather than evil. Adam Grant (Think Again): His writing feels like a collaboration with the reader, using humility and scientific curiosity to normalize the act of "unlearning" as a strength rather than a weakness. Think Again explicitly advocates for the joy of being wrong; his tone is curious rather than corrective. Art https://sanand0.github.io/llmartstyle/ Frottage Technique: Draw in frottage technique style, with textured paper-rubbing effects, organic surface patterns, charcoal-like textures, layered rubbing marks. Decalcomania: Draw using decalcomania, with mirrored paint-transfer blotches, unpredictable organic textures, and accidental symmetry. Scumbling: Draw with translucent scumbled layers, soft cloudy transitions, visible underpainting, and an ethereal haze. Grattage: Draw with grattage scraping, revealing bright underlying colors, rough surface scratches, and layered paint excavation. Sgraffito: Draw in sgraffito style, scratching linear motifs through the surface to expose contrasting layers beneath. Soufflage (Blown Paint): Draw with blown-paint soufflage effects, wind-driven drips and splatters, airy dispersion, and organic branching forms. Paper-Cut Shadow Layering: Draw as layered paper-cut shadow art, crisp stacked silhouettes, precise cast shadows, and architectural depth. Stippling Mixed Media: Draw with dense stippling and mixed textures, micro-dots forming gradients, interleaved with paper, ink, or pastel accents. Digital Encaustic: Draw in a digital encaustic look, waxy flows, semi-translucent color pools, and molten, tactile surfaces. Textured Gesso Relief: Draw over textured gesso, sculptural low-relief ridges, impasto-like grooves, and tactile, light-catching surfaces. Mecanorma / Vintage French Collage: Draw as a Mecanorma collage, cut-and-paste printed textures and patterns with slight misregistration on grainy paper. Stained-Glass (Medieval / Folk): Draw as crude stained glass, thick black lead cames, segmented uneven color panes, and backlit luminosity. Xerox / Photocopy Aesthetic: Draw in Xerox copy-art style, high-contrast black-and-white, degraded midtones, gritty halftone noise, zine energy. Adinkra-Inspired Symbolism (Pseudo-Sankofa): Draw with West African Adinkra-style symbols, bold symmetry, dense patterned negatives, and red-black-gold palette. Frutiger Aero: Draw in a mid-2000s Frutiger Aero vibe, glossy skeuomorphism, glowing bubbles, clean skies and grass, nature-tech harmony. Psychedelic Op Art: Draw as psychedelic Op Art, precise geometric interference, moire vibrations, high-contrast illusions of motion and warp. Soviet Brutalist Poster: Draw a Soviet-brutalist poster, monumental geometry, limited red-black-cream palette, bold block typography, concrete grain. Trouvelot Astronomical Pastels: Draw like a 19th-century astronomical pastel, scientifically accurate celestial forms with soft luminous glows on textured paper. Dazzle Camouflage: Draw using WWI dazzle patterns, disruptive black-white geometry that fractures silhouette and confuses direction. Toba-e Caricature (Edo): Draw playful anthropomorphic animals in flowing brush lines, sparse color, and witty Edo-period caricature energy. Anamorphic Hidden Image: Draw an anamorphic illusion that resolves into a hidden portrait or symbol from a specific viewing angle. 'Bad Painting' Irreverent Figuration: Draw intentionally naive figures with flat planes, decorative patterns, and cheeky anti-polish attitude. Etched Gothic-Surreal Linework: Draw dense gothic-surreal line etchings, spired architectures and grotesques in obsessive cross-hatching. Doodle-Constructivist Architecture: Draw fantastical doodle-architecture, biomorphic buildings fused with everyday objects in exuberant schematic chaos. Nychos Street Mural (Anatomical Cross-Section): Draw a bold street-art mural showing skeletal anatomy beneath the surface, x-ray layers and high-contrast spray. Neo-Surreal Polished Macabre: Draw crisp neo-surreal scenes with uncanny body fragments, glossy finish, and quietly humorous dark undertones. Psychedelic Retro Poster ('60s): Draw a 1960s-style psychedelic poster, swirling saturated gradients, bold lettering forms, and subtle film-grain texture. Quantum Flux Patterns: Draw in a quantum-inspired style, with probabilistic wave-like forms, shimmering particle trails, and dynamic interference patterns that shift with perspective. Bioplastic Morphic Layers: Draw with translucent, organic bioplastic layers, fluid cellular structures, and soft bioluminescent gradients that mimic living tissue. Glitchtopian Relics: Draw as fragmented digital artifacts, with pixelated decay, corrupted data shards, and neon glitches forming futuristic relics. Aerochromatic Flux: Draw with iridescent, prismatic color shifts, fluid metallic sheens, and aerodynamic contours that evoke weightless energy flows. Neural Tapestry Weave: Draw as a neural network-inspired tapestry, with interconnected nodal threads, synaptic pulses, and evolving fractal patterns in muted tones. The Bengal School of Art: Draw in the Bengal School of Art style, with delicate Japanese wash watercolor layers, soft dreamlike atmospheres, sombre muted palettes, refined linear figures, and flattened miniature-inspired perspectives depicting mystical or symbolic scenes. Africobra: Draw in Africobra style, with vibrant coolade colors, rhythmic interlocking patterns, bold text and imagery, and powerful depictions of Black identity, community, and pride infused with positive energy. Stridentism (Estridentismo): Draw in Stridentism style, with dynamic fragmented lines, urban-industrial motifs like skyscrapers, machines, airplanes, and telegraph cables, woodcut-like bold contrasts, and irreverent, energetic compositions celebrating modernity and revolution. Gutai Group: Draw in Gutai Group style, emphasizing raw energy, explosive splatters, smeared textures, gouges, drips, and unconventional materials, capturing the physical force and bodily movement of performance-based creation. Ebru (Turkish Paper Marbling): Draw in Ebru marbling style, with floating pigments on liquid, combed into swirling veins, concentric organic forms, bleeding edges, and fluid unpredictable patterns resembling marble, smoke, or water. Pysanka Symbology: Draw in Pysanka style, with geometric wax-resist motifs, suns, stars, trees of life, birds, and eternity bands, structured into symmetrical sections, using symbolic colors like red, black, yellow, and green for dense talismanic patterns. Lowbrow (Pop Surrealism): Draw in Lowbrow Pop Surrealism style, with polished classical painting techniques applied to playful or grotesque cartoon-like characters, surreal juxtapositions, kitsch pop-culture icons, and satirical, humorous undertones. Algorithmic Beauty (Fractal Art): Draw in fractal art style, with infinitely recursive geometric spirals, self-similar branching forms, organic mathematical patterns, and intricate details resembling galaxies, coastlines, snowflakes, or tree growth. Vaporwave Aesthetics: Draw in Vaporwave style, with pastel pink and blue gradients, retro computer graphics, VHS glitch textures, Greco-Roman statues, obsolete 90s UI elements, palm trees, Japanese text, and a melancholic nostalgic mood. Risograph Texture: Draw in Risograph style, with limited vibrant spot colors, overprinted layers creating unexpected blends, halftone grainy textures, and charming imperfections like misaligned color registration and uneven ink coverage. Presentations https://claude.ai/chat/2c86ad6b-07e0-4c32-a3a8-53ea632d327c Invented: Editorial Spread Layout: Create magazine-style two-page spreads where left pages contain rich narrative text in columns with pull quotes and callouts, while right pages feature complementary full-bleed data visualizations, photographic evidence, or infographics that together form complete self-contained stories per spread. Spatial Journey Map: Build slides as illustrated overhead maps or floor plans where concepts exist as "rooms" or "locations" connected by pathways, with each area containing clustered information, wayfinding labels, zoomed insets for detail, and visual journeys that show how ideas geographically relate and connect. Layered Transparency Stack: Construct slides showing multiple semi-transparent overlay layers that can be conceptually "peeled back" - starting with simplified headline summary on top, revealing supporting evidence layer beneath, then detailed methodology layer, then raw data foundation - all visible simultaneously with selective opacity creating information depth perception. Chat Thread Storytelling: Structure slides as familiar messaging app conversations where insights unfold as text bubbles from different stakeholder "voices," interspersed with inline charts, quoted data, reaction emojis for emphasis, and threaded replies that create narrative tension and multiple perspectives within organized conversation flows. Dashboard Narrative: Design slides as interactive-looking dashboard interfaces where the main insight appears as a headline metric or KPI, surrounded by supporting micro-visualizations, contextual sparklines, comparative benchmarks, and drill-down annotations that create the illusion of clickable exploration while maintaining static slide clarity. Infographic Equation Format: Design slides as visual equations where illustrated icons, data blocks, and concept bubbles are connected by mathematical operators (plus, minus, arrows, equals) to show cause-effect relationships, with each element containing detailed statistics, explanatory subtext, and supporting micro-charts that reveal how components combine to create outcomes. Cross-Section Technical Cutaway: Create slides as architectural cross-section illustrations showing "inside views" of concepts with exposed layers, labeled components, dimensional callouts, exploded assembly details, material specifications, and annotated internal mechanisms that reveal hidden complexity like engineering blueprints meet infographic storytelling. Parallel Timeline Tracks: Structure slides with 3-5 horizontal swim lanes running simultaneously across the page - each track representing different dimensions (market trends, product evolution, competitive moves, regulatory changes, customer behavior) - with synchronized vertical markers connecting related events and dense annotations explaining convergence points. Modular Card Mosaic: Build slides as grids of distinct content cards in varying sizes (like Pinterest or newspaper layouts) where each card is a self-contained insight unit with mini-headline, supporting visual, and key data point, while the overall arrangement creates visual patterns and thematic clustering that reveals meta-insights. Radial Hub-and-Spoke Constellation: Construct slides with central core concept surrounded by orbiting satellite nodes connected by curved relationship lines, where each satellite contains substantial detail (text paragraphs, mini-charts, case examples) and the spatial positioning indicates strength of relationship, creating solar system-like information architectures with clear hierarchical depth. Mainstream: Corporate/Consulting Deck (Barbara Minto - Pyramid Principle): Structure slides with executive summary upfront, logical flow using MECE frameworks, clear section dividers, and data-backed recommendations formatted for boardroom decision-making. McKinsey Style (Gene Zelazny): Produce slides with clear action titles that convey the main message, supported by data visualizations (charts, tables) and structured layouts following pyramid principle logic. Assertion-Evidence (Michael Alley): Design each slide with a complete sentence headline stating the key assertion, followed by visual evidence (graphs, diagrams, images) that supports that specific claim without bullet points. Jobs/Apple Keynote (Steve Jobs): Design visually striking slides with dramatic high-resolution images, minimal text, powerful one-liners, and significant use of white space to create emotional impact. Duarte Narrative Arc (Nancy Duarte): Structure slides following a three-act story framework alternating between "what is" (current reality) and "what could be" (desired future), building tension toward a climactic call-to-action that inspires audience transformation. Visual Metaphor Method (Dan Roam - Back of the Napkin): Build slides using hand-drawn style diagrams, simple sketches, and visual metaphors (portraits, charts, maps, timelines, flowcharts, equations) that convert complex concepts into understandable pictures anyone can grasp. Presentation Zen / Visual Storytelling (Garr Reynolds): Create slides that tell a story through evocative high-quality full-bleed stock photography as background for every slide, with minimal text overlays and generous whitespace. Lessig Method (Lawrence Lessig): Create slides with minimal text (1-3 words maximum per slide), using high visual rhythm and rapid slide transitions to emphasize individual points while maintaining speaker focus. Takahashi Method (Masayoshi Takahashi): Generate slides with extremely large font sizes displaying only single words or short phrases in bold text against plain backgrounds, advancing quickly to maintain audience attention. Pecha Kucha (Astrid Klein & Mark Dytham): Build exactly 20 slides that auto-advance every 20 seconds, requiring concise visual storytelling with minimal text and forcing disciplined pacing throughout the 6-minute-40-second presentation. Ignite Format (Brady Forrest & Bre Pettis): Create exactly 20 slides that auto-advance every 15 seconds for a fast-paced 5-minute presentation, using bold visuals and minimal text to maintain high energy. TED Style (Chris Anderson/TED): Create visually compelling slides with powerful imagery, minimal bullet points, emotional storytelling elements, and data visualizations that support a singular transformative idea. Kawasaki 10/20/30 Rule (Guy Kawasaki): Build no more than 10 slides deliverable in 20 minutes using minimum 30-point font, focusing on problem, solution, business model, and key metrics with high visual impact. Academic/Research Style (Edward Tufte influenced): Design information-dense slides with detailed charts, comprehensive data, proper citations, and multiple supporting visuals that prioritize analytical depth over aesthetic minimalism. Lightning Talk (Varies - conference format): Prepare 5-10 highly visual slides for a 5-minute rapid-fire presentation using punchy headlines, striking images, and absolutely no bullet points to convey one core message. Startup Pitch Deck (Paul Graham/Y Combinator): Create 10-15 slides covering problem, solution, market size, product demo, traction, business model, team, competition, and funding ask, using clean visuals and concrete metrics that prove momentum and defensibility. Academic Research Talk (ACM/IEEE Conference Style): Design slides with structured sections (motivation, related work, methodology, results, discussion, conclusion) featuring technical diagrams, experimental data, algorithm visualizations, and comprehensive references for peer evaluation. Vision/Strategy Memo Format (Jeff Bezos - Amazon 6-pager): Convert the presentation into narrative-driven slides with full paragraphs and complete sentences explaining the vision, customer working backwards, strategic rationale, and implementation roadmap without relying on bullet points or abbreviated text. Corporate: Bridgewater Associates Principles Deck (Ray Dalio): Build comprehensive slides combining philosophical principles written as complete sentences, supporting case studies, decision-tree flowcharts, historical data analysis, and systematic frameworks that document organizational thinking and decision-making processes. Netflix Culture Deck (Reed Hastings/Patty McCord): Create concept-dense slides pairing philosophical statements about culture with concrete examples, performance frameworks, compensation philosophy details, and organizational values written as full paragraphs that function as employee handbook and recruitment tool. Berkshire Hathaway Annual Letter Slides (Warren Buffett): Design information-packed slides with extensive financial tables, multi-year comparative data, plainspoken explanatory text, subsidiary performance breakdowns, and investment philosophy discussions that prioritize substance and transparency over aesthetics. Mary Meeker Internet Trends Report (KPCB/Bond Capital): Produce data-visualization-heavy slides featuring hundreds of charts showing industry trends, growth metrics, comparative analyses, technology adoption curves, and macro insights with minimal text but maximum information density per slide. Amazon PR/FAQ + Appendix (Jeff Bezos): Create narrative-heavy slides with dense paragraphs explaining the press release, FAQ responses, detailed appendices with supporting data tables, financial models, and operational metrics that function as standalone decision documents requiring no presenter. Tesla Master Plan / Shareholder Letter (Elon Musk): Design slides with technical specifications, engineering diagrams, production metrics, future roadmaps, and bold vision statements combining granular operational data with aspirational storytelling in a distinctive red-black-white visual system. Sequoia Capital Pitch Template: Structure slides with substantive content including detailed market sizing with methodology, competitive matrix analysis, unit economics breakdowns, go-to-market strategy specifics, and comprehensive financial projections that serve as investment memorandum. BCG/Bain Strategy Review (Marvin Bower legacy): Produce analytically rigorous slides with 2x2 matrices, industry benchmarking data, detailed EBITDA waterfalls, strategic initiative roadmaps, and executive summary pages where every chart tells a complete story with full axis labels and source citations. a16z Investment Memo Format (Marc Andreessen): Build slides combining market landscape analysis, technology trend theses, competitive positioning maps, founder background deep-dives, detailed TAM calculations, and risk factor assessments that serve as complete investment rationale documentation. Goldman Sachs Pitchbook (Banking Standard): Construct comprehensive slides with precedent transaction tables, comparable company analysis, detailed valuation methodologies, sources-and-uses tables, pro-forma financial models, and disclaimer-heavy footnotes in classic navy-and-white formatting. Stripe Press-Style Annual Review (Patrick Collison): Design intellectually substantial slides combining business metrics, essays on company philosophy, reading recommendations, technical architecture explanations, and economic analysis that treat audience as sophisticated readers rather than passive viewers. Carta Equity Management Reports: Create detailed slides with cap table visualizations, dilution scenarios, ownership waterfalls, vesting schedules, 409A valuation methodologies, and regulatory compliance frameworks that function as legal-grade documentation with visual clarity. BlackRock Investment Stewardship Report: Build comprehensive slides combining ESG metrics, voting record disclosures, engagement statistics, portfolio company dialogues, climate risk analyses, and governance frameworks with institutional-grade data visualization and academic-level rigor. Palantir Foundry Demo Documentation: Design technical slides showing data pipeline architectures, ontology models, workflow automations, integration specifications, security frameworks, and use-case implementations with screenshot evidence and configuration details that serve as implementation blueprints. Renaissance Technologies Research Presentation (Quantitative): Construct mathematically rigorous slides featuring statistical models, backtesting results, correlation matrices, algorithm performance metrics, risk-adjusted returns, and quantitative research methodologies with academic paper-level detail and reproducible analysis. Artistic: Prezi Canvas (Adam Somlai-Fischer): Design a single infinite zoomable canvas where content exists at different scales and spatial relationships, with the presentation path zooming in/out and panning across interconnected ideas to reveal hierarchical relationships and spatial context. Takram Prototype Show-and-Tell (Takram Design): Create slides that are minimal black backgrounds showcasing high-fidelity product photos, physical prototypes, and interaction videos with almost no text, letting tangible artifacts and demonstrations speak for themselves through pure visual craft. Brand Deck / Lookbook (Pentagram/Paula Scher): Build visually immersive slides using full-bleed photography, bold typography as visual element, cohesive color palettes, and layout-as-message design where every slide feels like a poster or magazine spread rather than information delivery. Data Mural (Giorgia Lupi - Dear Data): Construct slides featuring hand-drawn data visualizations, artistic infographics, and decorative quantified-self style illustrations where data becomes beautiful artwork with legends, annotations, and personal visual language. Scrollytelling Deck (The Pudding/NYT Graphics): Design vertical scrolling narrative slides with animated transitions, progressive data reveals, interactive-style visualizations, and cinematic pacing where each scroll/advance unveils the next layer of a visual story. Sketch-Note Style (Mike Rohde): Create hand-drawn looking slides combining doodles, hand lettering, arrows, containers, icons, and visual connectors in a sketchbook aesthetic that feels organic, approachable, and creativity-forward rather than corporate. Brutalist/Anti-Design (David Rudnick): Build intentionally raw slides using clashing fonts, aggressive layouts, unexpected color combinations, overlapping elements, and deliberately "broken" design rules to create memorable visual tension and punk-aesthetic impact. Cinematic Widescreen (Apple Product Launch): Produce ultra-high-resolution 21:9 widescreen slides with dramatic cinematography, slow-reveal product shots, atmospheric lighting, film-quality imagery, and Hollywood trailer pacing for maximum emotional and aesthetic impact. Isometric World Building (Monument Valley style): Design slides using isometric perspective illustrations creating impossible architecture, interconnected modular scenes, and geometric worlds where concepts exist as navigable 3D spaces in flattened dimensional artwork. Collage/Mixed Media (David Carson - Ray Gun Magazine): Assemble slides using layered photography, torn paper textures, overlapping transparency effects, experimental typography, and deliberate chaos that prioritizes emotional resonance and artistic expression over conventional readability. Neon/Cyberpunk Aesthetic (Spotify Wrapped): Create high-contrast slides with vibrant neon gradients, glowing text effects, dark backgrounds, retro-futuristic UI elements, and animated data visualizations that feel like interactive digital experiences. Comic/Graphic Novel Format (Scott McCloud): Structure slides as comic panels with speech bubbles, sequential art, character illustrations, visual metaphors, and panel-to-panel transitions that tell stories through illustrated narrative progression. Blueprint/Technical Schematic (IDEO Process): Design slides resembling architectural blueprints or engineering schematics with grid backgrounds, technical line drawings, annotated diagrams, measurement callouts, and industrial design documentation aesthetic. Kinetic Typography (Saul Bass title sequences): Build slides where text itself is the primary visual element through animated motion, dynamic scaling, rotational movement, and typographic choreography that creates meaning through letterform movement and rhythm. Paper Craft / Tactile (Eiko Ojala): Construct slides using paper-cut illustration style with layered shadows, dimensional depth, textured surfaces, and crafted-by-hand aesthetic that brings warmth and physicality to digital presentations. Visual Communications TODO Create a VISUAL catalog Sketchnotes - Visual notes combining hand-drawn elements with text to capture ideas quickly Graphic recording - Single cohesive landscape following a "path" metaphor where information follows the journey. Hand-drawn marker aesthetic, bold outlines with vibrant accent colors, connecting arrows and containers, visual synthesis, energetic flow, Neuland marker style, high contrast, flat illustration. Visual metaphor - Pick ONE extended metaphor (a tree, an iceberg, a journey, a machine, ...) and map everything onto it Editorial cartoons - Political/social commentary combining caricature with speech bubbles or captions Data Art / Dear Data Style - Hand-drawn data visualization with personal, artistic encoding Scientific Illustration Style - Botanical/anatomical precision applied to abstract concepts. Labels with leader lines, cross-sections, exploded views Infographics - Data-driven visuals merging charts, icons, and text to explain complex information Data visualizations - Charts and graphs pairing statistical information with visual representation Comic books/graphic novels - Sequential narrative art combining illustrated panels with dialogue and captions Bento-box notes - Neat grid of rounded rectangles, each "card" is one idea, with a title, takeaway, and example (visual) Causal loop diagram - Concepts connected with +/– links, highlighting reinforcing and balancing feedback loops Advertising design - Commercial visuals pairing persuasive imagery with marketing copy Social media graphics - Digital templates merging photos, illustrations, and text for platforms like Instagram Magazine layouts - Editorial spreads integrating photography, headlines, and body text Movie posters - Promotional imagery combining title treatment with key visual elements Book covers - Illustrative designs pairing typography with imagery to represent content Presentation slides - Business/educational visuals combining data, images, and text Memes - Internet culture images pairing photos/illustrations with captioned humor Album/music covers - Artistic packaging combining band names with visual identity Instructional diagrams - Technical or educational visuals pairing labeled illustrations with explanatory text Zines - Self-published magazines mixing collage, drawings, and handwritten or typed text Packaging design - Product containers integrating brand identity, imagery, and information Signage/wayfinding - Environmental graphics combining symbols, directions, and text Concert/gig posters - Event promotion combining decorative typography with illustrative elements Storyboards - Film/animation planning combining sketched scenes with action notes Visual essays - Journalistic narratives combining photography/illustration with extended text Protest banners/signs - Activist art pairing slogans with symbolic imagery Calligrams - Poetry arranged typographically to form images related to the text's meaning Artist's books - Fine art publications treating the book as a canvas for mixed media Illuminated manuscripts - Historical decorated texts combining ornamental borders with calligraphy Broadsheets/broadsides - Single-sheet publications mixing typography with illustration Map illustrations - Cartographic art combining geographical representation with labels and legends Concrete poetry - Verse where visual arrangement of words creates meaning beyond language Mail art - Postal correspondence transformed into artistic collages with stamps and text Asemic writing - Abstract calligraphy-like marks that mimic text without linguistic meaning Fluxus scores - Avant-garde instruction pieces combining diagrams with cryptic textual directions Letraset collages - Retro graphic art using dry-transfer lettering combined with cut images Also: Board game - e.g. Monopoly, Risk, Catan with LLM-generated questions, scenarios, outcomes, ... Decision tree game - e.g. choose-your-own-adventure with LLM-generated (or pre-defined) branches, choices, endings, ... Visual Data Art Gemini: Visual Data Art Styles Flow Fields: Silky, sweeping, painterly lines that look like combed fur, topographic maps, or river currents. Uses a grid of invisible vectors (arrows) to guide the path of drawing agents, simulating fluid dynamics. E.g. Tyler Hobbs. Fidenza — A series that feels like a perfect hybrid of computer precision and abstract expressionist painting. Reaction-Diffusion: Psychedelic animal print, brain coral textures, and fingerprint-like mazes that morph and breathe. Simulates chemical chemicals diffusing and reacting to create complex, self-organizing patterns (Turing patterns). E.g. Jonathan McCabe. Multi-Scale Turing Patterns — Hypnotic, colorful, microscopic-looking textures. Physarum (Slime Mold) Simulation: Ghostly, veiny networks that look like fungal roots or city traffic seen from space. Mimics the behavior of Physarum polycephalum (slime mold) foraging for food, creating efficient transport networks. E.g. Sage Jenson. Ceres — A digital simulation where millions of particles form organic, breathing vascular structures. Swarm & Flocking (Boids): Murmurations of starlings, schools of fish, or particles moving in synchronized, liquid chaos. Emergent complexity arises from simple rules: separation, alignment, and cohesion. E.g. Robert Hodgin. Flight Patterns — Visualizations of air traffic data that look like glowing, living organisms. L-Systems (Lindenmayer Systems): Fractal trees, alien ferns, and recursive branching structures. Uses a grammar of string rewriting rules to model biological growth processes like plant branching. E.g. Jon McCormack. Fifty Sisters — Evolved digital plant species generated from code, presented as botanical illustrations. Pixel Sorting: Melty, dripping streaks of color where an image looks like it's sliding off the canvas. Reorders the pixels of an image based on brightness or hue, treating image data as a list of numbers to be organized. E.g. Kim Asendorf. Mountain Tour — The project that popularized the "pixel sort" aesthetic, turning landscapes into digital waterfalls. Datamoshing: Surreal, smeared transitions where one video frame "melts" into the next, often leaving artifacts of the previous scene. Exploits video compression errors (specifically removing I-frames) to force motion from one clip to carry the pixels of another. E.g. Takeshi Murata. Monster Movie — A video work that turns a B-movie monster into a pulsating, liquid abstraction. Dithering (Algorithmic 1-Bit): Retro, grainy, noisy textures composed entirely of black and white dots (or limited palettes). Exploring how to represent continuous tone using only binary states (on/off), often finding beauty in the "noise" of error diffusion. E.g. Dmitry Morozov. Ra — Uses 1-bit dithering aesthetics in hardware installations to visualize sound and laser scans. Feedback Loops (Video Feedback): Infinite tunnels, liquid trails, and "hall of mirrors" effects that drip and echo. Feeding the output of a system back into its input, creating self-perpetuating, chaotic, and often uncontrollable results. E.g. Andrei Jay. Waaave Pool — A video synthesis tool that creates melting, retro-psychedelic visuals using digital feedback. Ray Marching (SDFs): Smooth, plastic-like, infinite 3D landscapes that morph continuously; often looks "squishy" or mathematically perfect. Renders scenes by "marching" rays forward until they hit a mathematically defined distance field, allowing for infinite detail without polygons. E.g. Inigo Quilez. Elevated — A 4KB intro (program) that generates a photorealistic mountain range from pure math in real-time. Strange Attractors: Wispy, fine-line tornados or glowing wireframe butterflies orbiting invisible points in space. Visualizes chaotic systems where a point orbits a specific set of values (the attractor) but never exactly repeats the same path. E.g. Dimitris Ladopoulos (Chaotic Atmosphere). Attractors — High-definition renderings of mathematical equations that look like exquisite digital jewelry. Mandelbulbs (3D Fractals): Infinite alien cathedrals, H.R. Giger-esque tunnels, and hyper-detailed geometric caverns. Extends the 2D Mandelbrot set into 3D space, creating structures with infinite complexity at any zoom level. E.g. Tom Beddard (subblue). Fabergé Fractals — Intricate, ornate 3D fractals that resemble alien artifacts or baroque architecture. Circle Packing: Bubbles, cellular structures, or pebbles filling a container perfectly without overlapping. The algorithmic challenge of fitting the maximum number of non-overlapping circles (or shapes) into a defined boundary. E.g. Julien Gachadoat. Voronoi / Packing Studies — Minimalist plotter drawings where thousands of tiny circles form larger shapes or gradients. Voronoi & Delaunay (Generative Low Poly): Shard-like, crystalline, faceted structures that look like stained glass or crumpled paper. Partitions a plane based on distance to points (Voronoi) or connects points into triangles (Delaunay) to reconstruct forms. E.g. Raven Kwok. 1194D — An interactive creature made of subdividing tetrahedrons that explode and reform. Isometric Generative: Impossible architecture, endless staircases, and tumbling geometric blocks in a 2.5D orthographic view. Uses a grid-based isometric projection to create optical illusions or dense structural compositions without perspective distortion. E.g. Manolo Gamboa Naon. Mantissa — Vibrant, dense compositions of overlapping geometric forms that feel like futuristic blueprints. Generative Plotter Art: Minimalist, high-contrast, pen-on-paper, "shaky" lines, moiré patterns. Writing code specifically to be drawn by a robotic arm (pen plotter), embracing the friction and ink bleed of the physical world. E.g. Vera Molnár. Structure de Quadrilatères — Simple squares slightly offset by random algorithms to investigate the line between order and chaos. ASCII / PETSCII Art: Images constructed entirely from text characters, looking like "The Matrix" code or vintage terminal displays. Using the density of typographic characters (glyph brightness) to represent light and shadow. E.g. Kenneth Knowlton. Studies in Perception I — An iconic nude portrait made entirely of computer symbols, one of the earliest digital artworks. Vector Synthesis (Oscilloscope Art): Glowing green neon lines, lissajous knots, and shapes that vibrate and twist with sound. Using audio signals to drive the X and Y deflection of an electron beam on an analog oscilloscope—you are literally "seeing" the sound. E.g. Jerobeam Fenderson. Oscilloscope Music — Music videos where the audio waveform draws 3D shapes (mushrooms, butterflies) on the screen. Demoscene (4k Intros): Flashy, high-speed, techno-futuristic 3D graphics that push hardware to the limit. Extreme efficiency; creating a full audiovisual experience (music + video) in an impossibly small file size (e.g., 4096 bytes). E.g. Farbrausch. fr-08: .the .product — A seminal 64kb intro that generated an entire 3D world and soundtrack from a file smaller than a JPEG. Subdivision / Computational Architecture: Gothic, bone-like, incredibly detailed columns and grottos that look grown rather than built. Recursively dividing simple shapes into smaller, more detailed versions of themselves (folding) to create massive surface complexity. E.g. Michael Hansmeyer. Digital Grotesque — A 3D-printed room so detailed it contains millions of unique facets, generated by subdivision algorithms. Asemic Writing (Generative): Alien scripts, calligraphy that means nothing, sprawling glyphs that look like ancient manuscripts. Generating text-like forms that have no semantic meaning, focusing purely on the aesthetic of written language. E.g. Xu Bing / Tim Gaze. A Book from the Sky — While hand-carved, it is the foundational conceptual work for this style; modern versions generate these glyphs with AI/code. Slit-Scan / Time Displacement: Stretched, jelly-like distortions where moving objects look like long, twisted tubes. visualizing time as space by capturing a single sliver of a video frame over and over and stacking them horizontally. E.g. Adam Magyar. Stainless — High-speed subway trains captured through a slit-scan, making the busy commuters look like frozen statues in a void. Cellular Automata: Pixelated "critters" moving on a grid, expanding crystals, and retro-arcade textures. Discrete models where the state of a cell depends on the state of its neighbors (e.g., Conway's Game of Life), creating complex behavior from simple rules. E.g. Maxime Causeret. Order from Chaos — A video visualizing cellular automata rules that evolve from simple dots into complex, organism-like colonies. Live Coding (Algorave): Cyberpunk, flashing code overlaid on top of the visuals it is creating in real-time. Showing the "seams" of the art; the code is the interface and the art simultaneously, written live in front of an audience. E.g. Olivia Jack. Hydra — A live-coding video synth that runs in the browser, allowing for glitchy, feedback-heavy visuals created by typing code on the fly. Wave Function Collapse: Pixel-art cities that assemble themselves, pipes that always connect perfectly, procedural dungeons. An algorithm that fills a grid by determining which tiles can exist next to each other based on a set of constraints, solving the "puzzle" of the image. marian42 (Marian Kleineber). E.g. Infinite City — A procedural city generator that creates endless, logical, navigable 3D structures. Data Visualization https://claude.ai/chat/8cd25010-20d0-456c-b8fb-84e9a622f8a0 The New York Times: Sophisticated scrollytelling with restrained elegance; clean serif typography, muted color palettes with strategic accent colors, extensive annotations integrated into narrative flow; pioneering D3.js-powered interactives that prioritize clarity over flash; deep reporting married to bespoke visual forms tailored to each dataset's unique characteristics. The Upshot (NYT): Analytical journalism branch of the Times with Amanda Cox's influence; You-draw-it interactive experiments; emphasis on reader engagement through participation; sophisticated statistical analysis made accessible; political polling and demographic analysis; calculator tools for personal policy impact. The Economist: Minimalist rigor with signature red branding; ITC Officina Sans typography, neutral grays and blues, y-axis labels on right side, white horizontal gridlines; witty left-aligned titles with descriptive subtitles; simple bar and line charts that match message to form; consistent visual language across print and digital that makes complex economics instantly scannable. The Guardian: Open data advocacy with democratic accessibility; clean interactive graphics, strong datablog tradition of full dataset transparency; blue-accented design with clear visual hierarchy; pioneering crowdsourced journalism using shared spreadsheets; WikiLeaks-era innovation in handling massive datasets; emphasis on making public data explorable by citizens. Financial Times: Authoritative salmon-pink backgrounds with professional credibility; strategic use of annotations that guide readers through the Z-shaped visual path; clear narrative headlines; elegant line charts for financial time series; real-time data integration; John Burn-Murdoch's pandemic tracking exemplified adding clarity through annotation rather than removing elements. South China Morning Post: Award-winning immersive infographics with Asian perspective; elaborate hand-drawn illustrations combined with 3D models; horizontal scroll narratives; extensive research-driven standalone features; visually stunning full-page print graphics translated to interactive digital experiences; strong emphasis on China and Hong Kong regional expertise. Bloomberg: Real-time financial data dashboards with dense information displays; dark interfaces with neon accent colors for market data; sophisticated billionaire trackers and market visualizations; emphasis on dynamic updating data; professional Bloomberg Terminal aesthetic translated for broader audiences; quantitative precision with editorial context. Washington Post: Explanatory visual journalism with accessible depth; clean interactive graphics that break down complex policy and politics; strong emphasis on election mapping and demographic analysis; innovative use of 3D and immersive storytelling; investigative data projects with clear public interest angles; mobile-optimized designs. Reuters Graphics: Global news agency visual storytelling with translation-ready design; immersive scrolling narratives on catastrophic events; hand-drawn illustrations for human interest alongside data precision; emphasis on visual merit---only creating graphics that add value beyond text; Cinema 4D 3D work; satellite imagery analysis for humanitarian stories. Wall Street Journal: Conservative business newspaper aesthetic with refined infographics; emphasis on market data visualization and corporate reporting; clean serif typography with restrained color use; detailed methodology transparency; professional charts that integrate seamlessly with traditional business journalism; quarterly earnings and economic indicator specialization. BBC: Public service broadcasting clarity optimized for broad audiences; accessible interactive explainers on complex topics; clean visual design with minimal jargon; strong emphasis on election results and referendum coverage; responsive design for multi-platform delivery; educational tone that assumes no prior knowledge while respecting viewer intelligence. Der Spiegel: German precision with bold European magazine aesthetic; innovative use of photography integrated with data; strong investigative data journalism tradition; detailed long-form visual features; emphasis on political accountability and document-based reporting; sophisticated interactive storytelling with strong narrative structure. La Nación (Argentina): Latin American data journalism pioneers; building datasets from scratch through PDF scraping in limited-data environments; citizen engagement through interactive visualizations; strong open data advocacy in regions without freedom of information laws; emphasis on data-to-citizen connection for democratic participation. FiveThirtyEight: Statistical modeling with probabilistic thinking; Atlas Grotesk typography on light gray backgrounds; sports/politics prediction markets; uncertainty visualization through distributions and confidence intervals; conversational explanatory text integrated with charts; poll aggregation methodology transparency; dashboard-style election trackers with clear visual hierarchy. The Pudding: Cultural visual essays with playful experimentation; scroll-driven narratives exploring pop culture through original datasets; emphasis on personal topics like music taste, language evolution, and social phenomena; creative D3.js implementations that blur visualization and art; process-transparent documentation; Peabody Award-winning storytelling that makes data accessible and delightful. ProPublica: Investigative accountability journalism with public database tools; news apps that let citizens explore data affecting their communities; emphasis on racial justice, healthcare costs, and government accountability; open-source data methodology; Lena Groeger's Visual Evidence series exploring design principles; serious topics with accessible interactive exploration. The Marshall Project: Criminal justice focused data journalism with humanizing storytelling; visualizations that illuminate systemic inequities in policing, courts, and prisons; combining human narratives with statistical evidence; emphasis on reform-oriented policy impact; accessible design that reaches affected communities; investigative rigor with advocacy-adjacent transparency. Quartz: Business journalism for global executives with mobile-first design; chart-driven newsletters; conversational tone with sophisticated analysis; emphasis on emerging markets and technology trends; clean visual identity with strategic interactivity; quick-hit data insights alongside deeper feature investigations. Vox: Explanatory journalism with card-based visual explainers; accessible breakdowns of complex policy topics; strong video integration with data graphics; chart annotations that anticipate reader questions; progressive political perspective with methodological transparency; emphasis on 'understand the news' mission. Information is Beautiful: David McCandless aesthetic of poster-style infographics; bold colors and geometric compositions; emphasis on shareable static visualizations; annual awards recognizing excellence across the field; international scope curating best visualization work; infographic-as-art approach with strong visual hierarchy and minimal text. Edward Tufte: Data-ink ratio maximization and chartjunk elimination; small multiples and sparklines; graphical integrity principles demanding proportional representation; integration of text and graphics; high information density with elegant simplicity; statistical rigor translated to visual form; self-published books that are themselves design exemplars; the 'Leonardo da Vinci of data.' Cole Nussbaumer Knaflic: Business-focused storytelling with data; 'simple beats sexy' philosophy eliminating clutter; emphasis on audience-first thinking and clear takeaways; practical workshop-oriented techniques for non-designers; decluttering through gestalt principles; strategic use of preattentive attributes to direct attention; accessible methodology for corporate communicators. Alberto Cairo: Five qualities framework: truthful, functional, beautiful, insightful, enlightening; journalism professor emphasizing ethical visualization; bridging scientific rigor with accessible explanation; How Charts Lie focusing on visual literacy for citizens; emphasis on truth continuum and acknowledging uncertainty; practical tools like R and Datawrapper democratizing visualization. Giorgia Lupi: Data humanism manifesto embracing imperfection and context; handcrafted aesthetic using drawing instead of coding; Dear Data postal correspondence project with Stefanie Posavec; personal data as emotional expression; Pentagram partner bringing artistry to corporate visualization; emphasis on qualitative nuance behind quantitative data; making data feel human. Nadieh Bremer: Astronomer-turned-designer creating cosmic-scale data art; radial and circular chart innovations; D3.js technical virtuosity with artistic intention; collaboration with Shirley Wu on Data Sketches; extensive process documentation; blurring boundaries between visualization and art; work for Google, NYT, and Scientific American; focus on beauty serving insight. Shirley Wu: Software engineer bringing creative coding to data visualization; playful exploration of personal topics like Hamilton lyrics; emphasis on sketching before coding; collaboration with Nadieh Bremer on Data Sketches; extensive client work for SFMOMA and The Guardian; technical skill serving artistic expression; iterative process transparency. Stefanie Posavec: Handcrafted data visualization using analog methods; Dear Data collaboration with Giorgia Lupi; emphasis on personal data collection and representation; book-as-object design sensibility; physical installations and printed pieces; London-based designer bridging graphic design and data practice; intimate scale revealing patterns in daily life. Mike Bostock: D3.js creator defining modern web visualization; Observable notebooks democratizing interactive development; NYT graphics team alumnus; emphasis on reusable components and open-source community; technical documentation as teaching; enabling thousands of visualizations through library design; bridge between computer science and visual journalism. Amanda Cox: NYT graphics team leader turned Upshot editor; emphasis on unique characteristics of each dataset; 'don't be a data fashion victim' philosophy; R programming for statistical exploration; You-draw-it interactive innovations; soul-crushing line charts revealing inequality; pushing orthodox boundaries with reader participation; making statistics emotionally resonant. John Burn-Murdoch: FT chief data reporter whose pandemic charts reached millions; annotation-rich approach adding clarity rather than removing elements; strategic color use with salmon-pink brand consistency; log-scale country comparison innovation; emphasis on storytelling through chart titles; real-time updating workflows using R and D3; making complex trends immediately comprehensible. Nathan Yau: FlowingData blog curator democratizing visualization education; R tutorials making statistical graphics accessible; emphasis on finding stories in data; PhD statistics background with accessible communication; books on data visualization for general audiences; daily curation of visualization examples across industries; bridging academic statistics and practical application. Hans Rosling: Animated bubble charts bringing global development data to life; Gapminder foundation work combating misconceptions with facts; TED talk theatrics making statistics entertaining; emphasis on time-series animation showing progress; optimistic fact-based worldview; combating ignorance with interactive tools; democratizing World Bank data through accessible interfaces. Manuel Lima: Network visualization pioneer and VisualComplexity.com founder; tree of life visual metaphors; emphasis on information architecture and knowledge organization; books on visual complexity and circle design; Google Design Lead perspective on large-scale visualization challenges; historical research connecting contemporary practice to visual tradition. Moritz Stefaner: German information aesthetics balancing form and function; creative coding with Processing and D3; interactive installations for museums and exhibitions; emphasis on exploratory visualization enabling discovery; client work for major publications; truth and beauty operator philosophy; bridging artistic expression with analytical rigor. Jen Christiansen: Scientific American senior graphics editor bringing precision to science visualization; emphasis on accurate representation of research findings; collaboration with scientists to translate complex phenomena; illustration integrated with data; long-form explanatory graphics for magazine format; bridging scientific accuracy with visual accessibility. Jonathan Schwabish: PolicyViz founder focused on data communication for policy audiences; economist perspective on visualization best practices; emphasis on clear graph design for reports and presentations; workshops for government and nonprofit communicators; practical decluttering techniques; bridging academic research visualization and policy communication. Polygraph/The Pudding: Visual essay studio creating scroll-driven cultural explorations; original dataset development on unconventional topics; client work for Google, LinkedIn, Netflix alongside editorial projects; emphasis on mobile-first interactive design; making complex ideas accessible through playful experimentation; technical skill serving narrative engagement. Periscopic: Social impact visualization studio emphasizing 'do good with data'; emotional resonance in serious topics like gun deaths; emphasis on humanizing statistics about loss and inequality; interactive installations alongside web projects; Portland-based studio with nonprofit and advocacy focus; making data feel consequential to drive action. Stamen Design: San Francisco studio pioneering web mapping and geographic visualization; custom map tiles and OpenStreetMap integration; emphasis on exploratory geographic data tools; work spanning news, scientific, and commercial clients; technical innovation in real-time data streaming; making mapping beautiful and functional. Density Design: Milan Politecnico research lab combining academic rigor with design excellence; complex network and textual data visualization; emphasis on information design methodology and student training; open-source tool development; bridging Italian design tradition with contemporary data practice; exhibition and editorial projects. Truth & Beauty (Moritz Stefaner): Boutique studio balancing aesthetic excellence with analytical depth; emphasis on exploratory visualization for discovery; museum installations alongside digital projects; German precision with artistic sensibility; custom interactive tools for research and journalism; making data exploration beautiful. Fathom Information Design: Boston studio creating exploratory visualization tools; emphasis on giving form to complex data for understanding; work spanning journalism, technology, and cultural institutions; Ben Fry co-founder bringing Processing heritage; large-scale data exploration interfaces; bridging design and data science. Websites 🔵 Gemini: Website styles 🟠 Claude: Website styles ⚪ ChatGPT: Website styles Sites: A24: 🔵 A moody, cinematic minimalism that relies on sparse layouts, ample whitespace, and distinctively small, mono-spaced type paired with large, uncropped film stills to create an atmosphere of mysterious, high-art exclusivity. Active Theory (activetheory.net): 🟠 WebGL 3D experiences with cinematic motion, immersive full-screen interactions, smooth camera movements, particle systems, real-time rendering showcases, and cutting-edge web technology demonstrations. Airbnb (airbnb.com): 🟠 Circular photography frames, warm coral accent color (Rausch Pink), Cereal typeface, card-based listings with soft shadows, immersive image-first browsing, and welcoming travel-lifestyle visual language. Apple (apple.com): 🟠 Minimalist black/white backgrounds with dramatic product photography, San Francisco typeface in multiple weights, scroll-driven parallax animations, cinematic video headers, obsessive whitespace, and high-contrast text creating a museum-like premium showcase. Arngren: ⚪ chaotic shop collage: overlapping images/text, tiny links, no visual hierarchy, “everything everywhere at once,” an accidental brutalist legend. AWGE (awge.com): 🟠 A$AP Rocky's creative agency with brutalist minimal aesthetic, deliberately obscure navigation, anti-commercial design, and fashion-world enigmatic visual presence. Balenciaga (balenciaga.com): 🟠 Fashion brutalism with stark product grids, minimal photography, utilitarian typography, anti-luxury aesthetic paradox, and high-fashion meets anti-design tension. BASIC (basicagency.com): 🟠 Clean dark layouts with strategic whitespace, bold sans-serif typography, case-study-focused presentation, sophisticated motion design, premium brand positioning, and portfolio-as-product approach. Berkshire Hathaway: 🔵 A hyper-functional corporate relic consisting of a static white background, Times New Roman text, simple bulleted hyperlinks, and a complete absence of images, CSS styling, or modern navigation elements. Bloomberg Businessweek (bloomberg.com/businessweek): 🟠 Bold experimental editorial layouts with oversized typography, color-washed photography, unconventional headline treatments, magazine-cover-inspired web pages, kaleidoscopic modular grids, and fearless data visualization integration. Bloomberg: 🔵 An avant-garde digital brutalism that mixes stark black-and-white grids with jarring neon highlights, bold oversized typography, exposed structural lines, and a deliberate lack of smoothing or shadows to create a frantic, data-heavy trading terminal vibe. Bruno Simon: 🔵 A playful, physics-based 3D environment where the user navigates a toy car through a low-poly micro-world, using gaming controls to explore portfolio items physically placed as interactive landmarks in the terrain. Brutalist Websites (brutalistwebsites.com): 🟠 Gallery of anti-aesthetic sites embracing raw HTML energy, system fonts, monochrome palettes, exposed infrastructure, clashing colors, and intentional rejection of web design conventions. BUCK: ⚪ colorful studio punch: bold illustration, playful composition, energetic motion, “art department flex” without losing structure. Cameron’s World: ⚪ GeoCities collage dream: layered GIF chaos, nostalgic textures, curated clutter, playful sound, “a love letter to early internet neighborhoods.” Collins: ⚪ brand-led typography: big type, bold grids, confident negative space, art-direction-first case studies, minimal UI chrome. Craigslist (craigslist.org): 🟠 Pure utilitarian HTML with Times New Roman-style serif links, dense blue hyperlink lists, zero visual decoration, white background, minimal CSS, and function-over-form classifieds efficiency that hasn't changed since 1996. Critical Danger: 🟠 Conservation storytelling with strong typography, motion graphics interactivity, scroll-triggered animations, endangered species merchandise presentation, and purpose-driven design excellence. David Carson Portfolio: 🟠 Grunge typography pioneer aesthetic with deconstructed layouts, layered imagery, rule-breaking type treatments, raw experimental energy, and anti-corporate graphic design rebellion. Discord: ⚪ community energy: chunky typography, bold color blocks, playful illustrations, internet-native tone, product screenshots used like social proof. Distill.pub: ⚪ research as interface: interactive figures, math as UI, elegant typography, deliberate pacing, “paper you can play with.” Drudge Report: 🔵 A manic, news-aggregator aesthetic defined by a crowded three-column layout, monospace fonts, screaming all-caps headlines, flashing GIF sirens, and a chaotic high-contrast black-and-white visual rhythm. Duolingo: ⚪ meme-native UI: bold colors, chunky type, character-first visuals, playful reward loops, energetic motion that feels like a game. Economist (economist.com): 🟠 Red-and-white brand authority, serif editorial typography, data-rich chart integration, structured news hierarchy, and authoritative global journalism visual language. Experiments with Google: ⚪ playful tech demos: single-idea pages, strong interaction hooks, lightweight UI, “learn by playing” structure. Fantasy (fantasy.co): 🟠 Innovation consultancy aesthetic with clean dark interfaces, futuristic typography, strategic use of motion, product-design showcases, and technology-forward visual language. Figma (figma.com): 🟠 Vibrant gradients with purple-to-pink color transitions, playful 3D illustrations, bold rounded typography, collaborative real-time cursor animations, bright accent colors, and creative tool energy with approachable professional polish. Framer: ⚪ design-tool futurism: glossy gradients, kinetic previews, modular cards, punchy statements, “ship fast” energy with slick motion. George Nakashima Woodworkers (nakashimawoodworkers.com): 🟠 Nature photography slideshows, woodworking craftsmanship quotes, organic earth-tone palette, zen-minimalist page structure, and artisan heritage visual storytelling. GitHub: ⚪ dev-native professionalism: structured grids, code-friendly typography, subtle gradients, playful mascots used sparingly, utility always wins. Glossier (glossier.com): 🟠 Millennial pink backgrounds, minimal product photography with negative space, lowercase typography, Instagram-native aesthetic, clean sans-serif fonts, and effortless beauty brand minimalism. GOV.UK: 🔵 The ultimate accessible minimalism, using a specific heavy black font (GDS Transport) on white, distinct black header bars, and a rigorous, layout-agnostic focus on clarity, readability, and information architecture without a single unnecessary pixel. Guillaume Tomasi Photography: 🟠 Mosaic hover-reveal galleries, surreal photography on flat empty backgrounds, hidden-until-interaction imagery, art gallery browsing experience, and mystery-driven portfolio UX. Hacker News (news.ycombinator.com): 🟠 Monochrome orange header with basic HTML layout, Verdana typography, minimal hierarchy, dense text-only listings, no images, austere voting interface, and deliberate old-internet anti-design simplicity. Headspace: ⚪ soft friendly minimalism: rounded forms, pastel gradients, calm animation, generous spacing, “breathing app” serenity as layout. IKEA (ikea.com): 🟠 Blue-and-yellow brand colors, clean Scandinavian grid layouts, practical product photography, Noto Sans typography, functional navigation, and democratic design accessibility focus. Information is Beautiful (informationisbeautiful.net): 🟠 Data visualization showcases with clean infographic aesthetics, color-coded categorical systems, print-quality web graphics, and educational information design. Instrument: ⚪ modern editorial agency: clean grids, strong type, curated case studies, motion that signals taste, quiet authority. Internet Archive: ⚪ library interface: functional density, archival seriousness, minimal marketing, “institutional utility with gentle nostalgia.” JODI: ⚪ net-art disorientation: glitchy screens, ASCII/code aesthetics, confusing navigation, deliberate discomfort, “the browser as an art medium.” Kappa Kontroll: 🟠 1980s Italian sportswear nostalgia with retro color blocking, vintage brand aesthetics translated digitally, and heritage streetwear visual identity. Linear (linear.app): 🟠 Dark-mode-first interface with deep black backgrounds, subtle gradient glows in purple/blue, monospaced code typography where appropriate, glassmorphism effects, smooth microinteractions, lightning-fast perceived performance, and developer-focused minimal aesthetic. LingsCars (lingscars.com): 🟠 Maximalist chaos with animated GIFs, flashing colors, Comic Sans-adjacent fonts, overlapping elements, intentionally overwhelming visual noise, multimedia embeds, and deliberate rule-breaking that paradoxically works commercially. Locomotive: ⚪ smooth-scroll craft: elegant typography, impeccable timing, parallax done tastefully, bold imagery, premium studio confidence. Lusion: ⚪ high-gloss interactive 3D: cinematic WebGL, tactile transitions, surreal product worlds, motion-led storytelling, “real-time graphics as brand.” Mailchimp (mailchimp.com): 🟠 Quirky hand-drawn illustration style (Freddie mascot), Cavendish yellow brand color, playful Cooper Black-adjacent display type, whimsical animation, and approachable small-business-friendly personality. Medium (medium.com): 🟠 Content-first minimalism with maximum readability, Charter serif typography, generous line-height and margins, subtle green accent color, clap/highlight interaction feedback, and distraction-free reading environment aesthetic. Motherf—ing Website: ⚪ minimalist satire: single-column rant, system fonts, no decoration, aggressive clarity, “performance and accessibility as rebellion.” Notion (notion.so): 🟠 Clean off-white backgrounds with playful hand-drawn emoji illustrations, friendly rounded sans-serif typography, modular block-based visual language, soft shadows, bright accent colors, and workspace flexibility aesthetic that feels collaborative yet personal. NYT “Snow Fall”: ⚪ magazine-grade longform: full-bleed media, elegant typography, immersive scroll pacing, maps/graphics as narrative beats, cinematic restraint. Obys Agency: ⚪ edgy brutal-luxe: oversized type, high contrast, provocative layouts, motion with bite, “fashion editorial meets web.” Our World in Data: ⚪ academic-but-friendly: clean charts, sober typography, heavy citations, utilitarian UI that privileges exploration over vibes. Paula Scher / Pentagram Partner: 🟠 Large-scale typographic systems, bold public-space graphics aesthetic, map-inspired layered information, expressive lettering, and institutional design gravitas. Pentagram (pentagram.com): 🟠 Classic design authority with refined grid systems, editorial typography, black-and-white project photography, sophisticated restraint, case-study deep-dives, and timeless institutional design elegance. Poolsuite: 🔵 A sun-drenched "internet retro" OS interface mimicking a 1986 Macintosh desktop, featuring pastel pinks and teals, pixelated icons, floating video windows playing VHS footage, and a nostalgic, vaporwave summer leisure aesthetic. Radiohead W.A.S.T.E. (wasteheadquarters.com): 🟠 Deliberately stark and antagonistic to modern design, perfunctory navigation, raw HTML aesthetic, minimal visual concession, and band's artistic vision of digital presence. Raycast (raycast.com): 🟠 Dark mode with vibrant gradient icon arrays, macOS-native visual language, crisp SF Pro typography, keyboard shortcut badges, frosted glass panels, smooth transition animations, and power-user productivity aesthetic. Resn (resn.co.nz): 🟠 Award-winning interactive experiences with playful animations, unexpected microinteractions, bold color choices, experimental navigation patterns, and boundary-pushing creative technology. Reuters Graphics: ⚪ clarity-first data journalism: restrained palettes, highly legible charts, “show your work” annotation, minimal ornament, maximal comprehension. Seth's Blog (seths.blog): 🟠 Text-only minimalism with permanent sidebar navigation, blue underlined hyperlinks, zero decoration, white background, readable sans-serif body text, and old-school blogger aesthetic prioritizing ideas over design. Shopify (shopify.com): 🟠 Friendly gradient backgrounds in greens and purples, rounded UI elements, playful merchant illustrations, approachable sans-serif typography, and entrepreneurship-empowering optimistic aesthetic. Slack: ⚪ colorful friendliness: vibrant palettes, big shapes, illustration + UI mixes, high readability, playful motion without feeling chaotic. Space Jam (1996 site): ⚪ pure mid-90s web: tiled backgrounds, tiny GIF buttons, frames-era navigation, loud icons, joyous awkwardness preserved in amber. Spotify (Wrapped-era experiences): ⚪ kinetic collage: big type, loud color, motion-led storytelling, personalized data as celebration, “you are the headline.” Stripe (stripe.com): 🟠 Elegant gradient meshes with deep purples and teals, crisp sans-serif typography (Camphor), animated isometric illustrations, SVG product mockups, generous whitespace, subtle scroll-triggered animations, and code-first aesthetic that feels premium yet approachable for developers. Stripe Documentation (stripe.com/docs): 🟠 Three-column documentation layout, dark-mode code blocks with syntax highlighting, interactive API examples, tabbed code samples across languages, and developer-first reading experience. Studio Job (studiojob.be): 🟠 Brutalist art direction with bold oversized typography, high-contrast monochrome, broken grid layouts, endless scroll, rough unrefined aesthetic, and avant-garde design studio irreverence. Tailwind CSS (tailwindcss.com): 🟠 Utility-first visual identity with code-as-design examples, dark mode with cyan accents, clean documentation hierarchy, live preview demos, and developer tool branding sophistication. Teenage Engineering (teenage.engineering): 🟠 Industrial-design-inspired wireframe aesthetics, monochromatic color schemes, blueprint-like icons, outlined geometric navigation, exposed-structure visual language, engineering-drawing typography, and Scandinavian minimalist product focus. Textfiles.com: ⚪ archivist utilitarianism: old-school navigation, dense lists, content-first, “BBS history museum” vibe, preservation over polish. The Guardian interactives: ⚪ bold headlines, strong photojournalism, tight editorial rhythm, interactive graphics that support (not replace) reporting. The New Yorker: ⚪ understated elegance: typographic hierarchy, lots of whitespace, restrained illustration, calm pacing, “print sensibility online.” The Outline (archived) / Input Mag: 🟠 Anti-design maximalism with clashing neon colors, overlapping geometric shapes, experimental typography layering, intentionally "ugly" aesthetics, and rebellious editorial visual voice. The Pudding (pudding.cool): 🟠 Scrollytelling journalism with custom data visualizations, playful explanatory graphics, bold typography, interactive chart explorations, and visual essay format innovation. The Verge (theverge.com): 🟠 Neon accent colors (pink, cyan) on dark backgrounds, blog-style rapid-fire feed format, bold geometric shapes, tech-forward typography, aggressive visual hierarchy, and Twitter-like stream format with editorial personality. ToyFight: ⚪ playful maximal craft: big character, humorous microcopy, bold colors, animated details, interaction that feels like a toy box. Ueno: ⚪ product-design confidence: crisp layouts, strong hierarchy, tasteful animation, case-study storytelling that feels like a design review. Vercel (vercel.com): 🟠 Deep black backgrounds with holographic gradient accents, terminal-inspired monospace typography sections, glassmorphism cards, particle effects, subtle grid patterns, developer documentation aesthetic with performance-focused visual metaphors. Vercel Documentation (vercel.com/docs): 🟠 Black background with crisp white typography, file-tree navigation, inline code badges, framework-specific theming, and performance-obsessed developer experience design. Wait But Why: ⚪ hand-drawn blog maximalism: sketchy diagrams, long-scroll essays, playful asides, simple layout that invites deep reading. Webflow: ⚪ showcase-forward: dense galleries framed by clean UI, strong typographic hierarchy, lots of visual proof, modern “builder credibility” aesthetic. Wikipedia: ⚪ utilitarian knowledge chassis: link-blue density, strict columns, boxes and lists, minimal visuals, designed to be edited not admired. WIRED (wired.com): 🟠 High-contrast editorial photography, bold condensed headlines, geometric accent shapes, tech-optimist color palette, structured grid layouts, and longform storytelling visual language with science-magazine authority. Yale School of Art: ⚪ DIY institutional mess: inconsistent layout, chaotic updates, “department bulletin board on the open web,” weirdly iconic. Yusuke Fukunaga Portfolio: 🟠 Japanese parallax scrolling artistry, infinite scroll flow, minimalist single-page structure, developer-focused technical elegance, and motion-driven portfolio presentation. Data storytelling, analysis & dashboards Hans Rosling “animated revelation”: Start with a simple view, then reveal dimensions over time, narrating each surprise. Nate Silver uncertainty framing: Always show base rate, confidence intervals, and 3 scenarios (optimistic/base/pessimistic). The Economist data journalism: Dry wit, historical context, and one counterintuitive hook per piece. Tufte analytical note: No chartjunk, focus on comparisons, rates of change, and uncertainty, minimal adjectives. The Pudding narrative walkthrough: Step-by-step scrollytelling where each panel adds one new idea supported by data. Vertical-specific analytics voices: Hedge fund brief (risk-adjusted, downside first) vs publisher brief (audience, engagement, revenue). Strategy docs & decision memos Bezos 6 pager: 2-page narrative, no bullets, include a FAQ section at the end. Hamilton Helmer 7 Powers lens: For each idea, rate on all seven powers, with 1-line justification each. McKinsey pyramid principle: Start with the answer, then 3–5 MECE supporting points, each backed by data and exhibits. Amazon PR/FAQ: Write a future press release and FAQ first, then backfill tech and plan from there. Sequoia pitch memo: Problem, product, why now, market, traction, and unfair advantage, each in 2–3 sharp sentences. Andy Grove OKR check: State objective, 3–5 key results with metrics, and list explicit “what must be true” assumptions. Email & professional correspondence Patrick McKenzie cold email: Highly specific, researched, focused on clear value and a tiny, low-friction next step. Bezos internal memo: Narrative-only email with context, analysis, and clear decision request at the end. Exec status snapshot: One screen: green/yellow/red, 3 bullets on progress, 3 on risks, 3 on asks. Support reply like Superhuman: Short, fast, clear fix with one delightful extra tip or shortcut. Deterministic emails Axios/Morning Brew: Structured sections ("The big picture", "By the numbers", "Why it matters"), short paragraphs, scannable bullets, deterministic headers map to conditional logic. SaaS metrics dashboard email (ChartMogul/Baremetrics): Visual hierarchy with key metric cards, % changes with arrows, sparkline-style trends, one-line insights per metric. McKinsey exec summary: Situation/Complication/Resolution format, pyramid principle with conclusion first, 3 supporting points, action-oriented bottom line. FiveThirtyEight data journalism: Lead with the most surprising number, explain what's driving it, context through comparison, "What this means" actionable takeaway. Internal SaaS weekly update (Stripe/Gitlab): Metrics table first, 2-3 narrative highlights, blockers/risks if any, clear next actions with owners. Meeting transcript summarization Matt Levine (Bloomberg Money Stuff): Makes complex financial governance and earnings shenanigans entertaining; explains corporate board dynamics through specific examples; finds the story in the footnotes; uses "here's the boring explanation, now here's what's actually happening" structure; skeptical intelligence. Priya Parker (The Art of Gathering): Treats meeting purpose as key to summarization; "what was this meeting for?" determines what to highlight; distinguishes meaningful moments from filler; narrative arc even in business meetings; helps readers understand significance. Michael Lewis: Would identify the key conflict or question the meeting resolved; uses character (speakers) to drive narrative when helpful; explains technical terms through context; builds to the decision as satisfying conclusion; "here's what was at stake" framing. Atul Gawande: Would structure summary around key decisions and their rationale; acknowledges dissenting views fairly; uses "the committee discussed whether..." framing; makes procedural complexity clear without overwhelming; highlights what changed and why. David Grady (TED: "How to save the world from bad meetings"): Minimalist meeting culture advocate; teaches ruthless prioritization; summary as "here's what we decided and what you need to do" - nothing more; respects readers' time; if it didn't result in decision or action, don't include it. The Economist (house style): Would open with decision/outcome, provide necessary background, then explain debate briefly; active voice making clear who decided what; technical terms defined in passing; implications stated clearly; consistent structure across all meeting summaries. ProPublica: Would quote exact language when precision matters; attributes positions to specific speakers when accountability requires it; provides document links for verification; flags unresolved questions; "officials said/claimed/argued" precision without editorializing. Jon Krakauer: Would weave multiple speaker perspectives into coherent story; timestamps when sequence matters; uses "according to meeting records" attribution; acknowledges where accounts differ; chronological when helpful, thematic when clearer. Ann Macfarlane: Parliamentary procedure expert who makes Roberts Rules accessible; "Mastering Council Meetings" treats governance as clear communication opportunity; action-item focused; distinguishes discussion from decisions; templates for different meeting types; treats minutes as service to absent stakeholders; "what was decided and what happens next" clarity. Eli Mina: Professional meeting consultant; "The Complete Handbook of Business Meetings" transforms rambling discussions into actionable summaries; teaches "decision documentation" vs. transcription; uses structured formats (background, discussion summary, decision, action items, timeline); treats meeting summary as accountability document. Karin Reed & Joseph Allen: "Suddenly Virtual" meeting experts; teaches remote meeting documentation; structures that work for distributed audiences; distinguishes chat/side conversations from main discussion; timestamps for video reference; accessible to those joining asynchronously. David Fahrenthold (Washington Post): Investigative reporter who makes FOIA'd documents and government meetings accessible; uses Twitter threads to summarize complex hearings in real-time; bullet-point clarity; highlights contradictions and evasions; "here's what they said, here's what it means" translation; skeptical but fair. Maggie Haberman / Peter Baker (NYT): White House reporters who synthesize hours of meetings/hearings into readable narratives; attribute positions accurately while creating flow; use "according to people familiar with the discussion" framing; distinguish on-record from background; build narrative tension even in procedural matters. Local Government Reporters (Best Practices): City hall/county beat reporters who cover council meetings weekly; develop "meeting story" formula: lede with most important decision, explain context, summarize debate, note what's next; serve engaged citizens needing accountability; balance completeness with readability; "residents said/council voted" clarity. Emily Badger / Margot Sanger-Katz (NYT Upshot): Explain policy debates and their implications; "here's what the data shows" grounding; translate expert disagreements for general readers; charts/graphics to clarify complex discussions; implications for readers' lives made explicit. Dahlia Lithwick (Slate Supreme Court coverage): Makes oral arguments and judicial conferences accessible to non-lawyers; captures legal debate's substance without jargon; uses dialogue format when it clarifies; identifies stakes for non-experts; "here's why this matters" framing; personality without sacrificing accuracy. Amy Howe (SCOTUSblog): Supreme Court "Plain English" summaries of decisions and arguments; exemplary distillation of complex legal reasoning; active voice, concrete language; "the Court held that" vs. "it was held"; anticipates reader questions; structured for skim-reading with depth available. Carl Hulse / Sheryl Gay Stolberg (NYT Congressional coverage): Synthesize congressional hearings and floor debates; balance partisan perspectives fairly; distinguish theater from substance; explain procedural moves clearly; "what happened and why" for readers unfamiliar with process. Government Accountability Office (GAO) reports: Models for clear government writing; "Highlights" page as one-page summary; "What GAO Found" bullet structure; recommendations clearly stated; background provided efficiently; accessible to non-experts while maintaining precision. Seeking Alpha Transcripts (edited versions): Raw transcript vs. summary comparison; earnings call structure (prepared remarks, Q&A) made navigable; key quotes pulled out; guidance and forward-looking statements highlighted; participant identification; timestamps for video reference. FactSet/Bloomberg Earnings Analysis: Distills multi-hour earnings calls into key takeaways; "management said/reiterated/revised" precision; numbers presented with context (vs. expectations, prior guidance); analyst questions summarized thematically; action items for investors. Michael Wilkinson (The Secrets of Facilitation): Professional facilitator teaching "Executive Summary" method; distinguishes parking lot from decisions; uses "the group agreed" vs. "discussion included" distinctions; action item format (what, who, when); consensus vs. majority vs. decision-maker clarity. Technical documentation & developer experience Stripe API docs: Progressive disclosure with copy-paste examples first, explanations and edge cases following. MDN reference entry: Summary, syntax, parameters, return value, examples, browser/env notes, and “gotchas” section. Unix man page: NAME, SYNOPSIS, DESCRIPTION, OPTIONS, EXAMPLES, EXIT STATUS, terse and scriptable. Django tutorial: Build a real, small app end-to-end with minimal theory upfront, explaining concepts as they appear. Elm-style error messages: Friendly, specific errors that show the code, explain the problem, and propose exact fixes. Rust compiler hints: Precise, technical messages with clear references, links, and suggestions for better patterns. Educational content & explanations Feynman chalkboard: Explain in everyday language, use analogies, then refine into more precise concepts. 3Blue1Brown intuition builds: Start from geometric/visual intuition, then gradually introduce formal notation. Khan Academy step ladder: Break concepts into tiny increments, with a check-for-understanding question at each step. Polya problem solving: Structure into Understand, Plan, Execute, Review, with explicit prompts at each phase. RadioLab narrative: Open with a human story or puzzle, meander through side paths, and return to a satisfying resolution. Past-exam-solver tutor: Teach only via similar past exam questions, with variations and common traps highlighted. Brand voice, marketing & product copy Apple product page: Minimal text, emotionally aspirational, benefits before specs, with one strong visual metaphor. J. Peterman catalog: Narrative, romantic descriptions with absurdly detailed backstories for otherwise mundane products. Basecamp announcements: Opinionated, conversational, occasionally contrarian, clearly stating what they refuse to do. Slack release notes: Friendly and humorous summaries of changes, highlighting the human impact not just the features. Enterprise trust voice: Calm, precise, risk-aware language with strong social proof and compliance notes. Developer-irreverent voice: Casual, witty, with in-jokes, focusing on speed and power over corporate polish. Code, architecture & tools Kent Beck small-step refactor: Propose a sequence of tiny safe changes, each independently testable, not a big bang. Elm architecture: Single source of truth model, pure view, explicit update, no hidden global state. Kent C. Dodds React style: Colocation of logic and UI, composition over configuration, hooks for reusable behavior. Unix philosophy CLI: Each command does one thing well, streams data, and composes cleanly with pipes. Stripe-like API design: Predictable resource naming, consistent verbs, excellent defaults, and idempotent operations. “Literate” code comments: Explain why over what, documenting invariants, trade-offs, and failure modes. Research synthesis & literature reviews Cochrane systematic review: Pre-registered search strategy, inclusion criteria, bias assessment, and meta-analysis tables. Annual Review survey: Broad, authoritative overview that clusters fields, evaluates progress, and identifies open questions. Karpathy-style paper summary: Start with the core intuition and big picture, then walk through architecture and results. Evidence map dashboard: Visual matrix of interventions vs outcomes with effect sizes and study quality. One-page clinical evidence brief: Population, intervention, comparator, outcomes (PICO) with clear takeaways for practice. Feedback, critique & review Pixar Braintrust session: Honest, additive feedback focused on possibilities, not prescriptions or ego protection. Linux kernel code review: Blunt, technical, reference-backed comments that prioritize correctness over politeness. New Yorker fact-checker edit: Line-by-line queries on every claim, name, and number, asking for sources and clarifications. Radical Candor 1:1: Direct, specific feedback that shows personal care and insists on clear next steps. Student-assessment rubric: Criteria-based comments, each tied to a scale and an example of “what good looks like.” Meetings, workshops & facilitation Amazon pre-read meeting: First 15 minutes silent reading of a written doc, followed by structured Q&A. Liberating Structures retro: Use TRIZ, 1-2-4-All, and What–So What–Now What to involve everyone within 60 minutes. IDEO design sprint: Time-boxed phases of understand–diverge–converge–prototype–test with explicit activities and prompts. Decision-clinic workshop: One real decision, multiple framed options, pros/cons, and a forced choice with review. Interviews, user research & discovery Jobs-to-be-done interview: Map timeline, moments of struggle, pushes, pulls, anxieties, and habits around a “hire.” Therapist-style (CBT-lite) interview: Gently probe situations, thoughts, emotions, behaviors, and alternative choices. Press conference grilling: Short setup question followed by relentless follow-ups that attack assumptions and gaps. Founders’ origin-story interview: Focus on personal “why,” non-obvious constraints, and inflection points in the journey. Negotiation, escalation & difficult conversations Chris Voss negotiation: Use mirroring, labeling (“it sounds like…”), and calibrated “how/what” questions to move forward. Diplomat decline: Graciously acknowledge value, decline clearly, propose an alternate path, preserve relationship. Japanese business politeness: Indirect negative responses, face-saving language, heavy use of honorifics and apologies. “Disagree and commit” email: State disagreement succinctly, record reasoning, and explicitly commit to the chosen path. Personal reflection, thinking & journaling Stoic evening review: List events, your reactions, which judgments were mistaken, and what to practice tomorrow. CBT thought record: Situation, automatic thought, emotion (0–100), evidence for/against, and a more balanced thought. Andy Matuschak evergreen notes: Break insights into small, linkable claims with titles, backlinks, and follow-up questions. Annie Duke decision journal: Record options, probabilities, reasons, and what evidence would later count as “resulting.” Diagrams, models & system maps Wardley map: List user needs, components, and place them by visibility and evolution stage, with movement arrows. Causal loop diagram: Variables connected with +/– links, highlighting reinforcing and balancing feedback loops. Actor-network map: Explicitly show humans, orgs, tools, and data stores, with labeled relationships and dependencies. Service blueprint: Customer actions, frontstage, backstage, and support processes aligned across swimlanes. Experiments, A/B tests & research design RCT economist style: Clear hypothesis, randomization plan, outcome metrics, and identification of threats to validity. Lean Startup smoke test: Smallest experiment with a clear learning metric and explicit kill/scale thresholds. Behavioral pre-registration: Hypotheses, manipulations, measures, exclusion criteria, and analysis plan fixed upfront. Sequential test log: Predefine stopping rules and update posterior beliefs as data accumulates. House styles for clients & verticals Hedge fund insight note: Start with P&L or risk impact, then factor exposures, scenarios, and implementation caveats. Publisher performance brief: Focus on audience, attention, engagement funnels, and monetization levers. Pharma/clinical summary: Emphasize safety, efficacy, regulatory status, and impact on standard of care. Education analytics report: Student outcomes, equity implications, intervention effects, and actionable classroom changes.

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